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Beth (Mary Elizabeth) Southcott, née Woolger, 1923-2004, was an amateur artist and art writer based in the Clarkson area of Mississauga. She was interested in visual art throughout her life, taking courses as a child at the (then) Art Gallery of Toronto and the Ontario College of Art, and later serving as the director of Visual Arts Mississauga. Southcott became interested in Indigenous art as an outcome of a course she took at Erindale College (now University of Toronto Mississauga) in 1975. Her book The Sound of the Drum is an original contribution to the historiography of Anishinaabe art and its reception by settler audiences.

David Phillips Silcox (1937- ) is a Canadian art historian and arts administrator. He has held positions at the Canada Council, York University in Toronto, federal and Ontario culture ministries, the University of Toronto and other academic and cultural institutions. From 2001 to 2013 he was president of Sotheby’s Canada. David Silcox has written books on Tom Thomson and the Group of Seven. His biography of Canadian artist David Brown Milne, Painting Place: the life and work of David B. Milne, was published by the University of Toronto Press in 1996. He is also co-author with David Milne Jr of the catalogue raisonné of Milne’s paintings, for which the David Milne Project was instituted. David Silcox was appointed to the Order of Canada in 2006.

John Henry Pollock (1930–1992), known primarily as Jack Pollock, was a Canadian art dealer, painter, art instructor, author and owner/director of the Pollock Gallery in Toronto. Born in Toronto, he attended the Ontario College of Art there and the Slade School of Fine Art in London, England. He opened the Pollock Gallery in Toronto in 1960. In 1962, Jack Pollock met Anishinaabe painter and printmaker Norval Morrisseau while teaching in northern Ontario. Shortly after, he mounted an exhibition (1962) of the artist’s work at the Pollock Gallery, which continued to represent Morrisseau for several years. In 1979, Jack Pollock collaborated with author and broadcaster Lister Sinclair (1921–2006) on the illustrated publication The art of Norval Morrisseau (Toronto: Methuen, 1979). Pollock also wrote We all are all (Toronto, 1980), a privately-published book of poetry illustrated with his own drawings; Dear M (Toronto: McClelland and Stewart, 1989), a memoir in letters written to his psychiatrist between 1984 and 1987; and several exhibition catalogues. After he became chronically ill, the Pollock Gallery closed in 1981. In 1984 he moved to Gordes in the south of France. Jack Pollock died in Toronto in 1992. Paintings, prints and drawings by Jack Pollock are in the collections of the National Gallery of Canada, the Art Gallery of Hamilton (Ont.) and other public art museums in Canada.

The Pollock Gallery (active 1960–1981), was a commercial art gallery in Toronto established by art dealer, author, art educator and painter Jack Pollock. First located at 205 Elizabeth St in downtown Toronto in 1960, the gallery initially represented Canadian artists, most notably Norval Morrisseau. In 1966, the gallery showed works by the Hungarian-Canadian painter Julius Marosan. Later, works by British and American and other artists were exhibited, including those by David Hockney, Willem de Kooning, Anni Albers and Dieter Roth.
Within a year, the gallery relocated to 201 Elizabeth St (1961–1963), then 599 Markham St (1963–1971, with another site at 604A King St West 1966–1968), 356 Dundas St West (1972–1975, with another site at the Toronto Dominion Centre 1972–1973), and lastly 122 Scollard St in the Yorkville area of Toronto (1975–1982, with another site, 209 Adelaide St East 1980–1983). During its years of activity, the gallery employed Brian A. Marshall Schieder, Philip Ottenbrite (assistant director), Eva Quan, Frank Costin, Laurie Payne (graphic director), Helen Boyd, Renya Onasick (advertising and publicity), Lawrence Hurst (gallery administrator), Stephen Long (librarian) and others. Within months after Jack Pollock became chronically ill, the main gallery officially closed in December, 1981; the Pollock Gallery went into bankruptcy in 1983.

Photo Eclipse was a group of photographers who operated The Photo Passage gallery at Harbourfront Centre, Toronto, from 1992 to 2000. Founding members Pamela Harris, Judy Whalen and Henry Jablonski organized themselves in the spring of 1992 upon learning that The Photographers Workshop (Gallery TPW) planned to relocate their exhibition space from Harbourfront, and recognizing a resulting loss to the photography community. Calling themselves initially the Committee for the Continuation of Photography at Harbourfront, and later the Curved Wall Collective, the group settled on the name Photo Eclipse. They successfully petitioned Harbourfront for use of the gallery space, naming it The Photo Passage and opening their first exhibition in November of 1992. Other group members included David Hlynsky, Elaine Ling, Vince Pietropaolo, Judith Sandiford, Irena Schön, John Scully, Volker Seding and Jane Watson. Photo Eclipse was active until 2000, mounting more than 30 exhibitions over the course of that time.

Sybille Christiane Pflug (née Schütt) (1936-1972), German-Canadian realist painter, was born in Berlin, Germany and died of an intentional overdose at Hanlan’s Point, Toronto Islands. Upon the outbreak of the Second World War, Pflug was sent alone to live with family friends in the Austrian Tyrol town of Kitzbühl where she remained until her early teens. In 1953, Pflug left Germany for Paris to study fashion design. On a train to Paris in 1954, she met Michael Pflug (1929-,) a German medical student and aspiring artist. At his urging, and with the encouragement of artist friends Vieira da Silva and Arpad Szenès, Christiane, who had no formal art training, began to paint. The Pflugs married in 1956 and moved shortly afterwards to Tunis, Africa where Michael had accepted a medical internship. In early 1958, Christiane and Michael held the first joint exhibition of their work at l’Alliance Française in Tunis. Christiane and the couple’s two young daughters, Esther and Ursula, joined her mother in Toronto in 1959 while Michael remained in Africa. In 1960, after completing his medical studies in France, Michael joined his family in Canada and soon began medical practice. The Pflugs settled in North Toronto, where Christiane painted her immediate surroundings including several series of city landscapes from her window, a series of interiors with dolls, and larger portraits of her daughters and her art dealer, Avrom Isaacs. In late 1962 Christiane held her first solo exhibition at the Isaacs Gallery in Toronto and was represented there until 1967, at which point Michael assumed all management of her work. She was the recipient of Canada Council grants and participated in several major national shows, winning the purchase prize at the 1964 Winnipeg Biennial. Despite her lack of formal training, she taught briefly at the Ontario College of Art in 1969. Christiane Pflug’s work is represented in several Canadian public collections including the National Gallery of Canada, the Art Gallery of Ontario and the Winnipeg Art Gallery, as well as in
Canadian corporate collections and private collections in Europe and North America. She died, committing suicide, on the Toronto Islands in April 1972.

Sybille Oltea Yvonne Pantazzi (1914-1983) was the Librarian at the Art Gallery of Ontario for thirty-two years, a book-collector and a pioneering scholar in the area of Victorian book design. She was born in Romania, traveled widely as a young woman, and settled in Toronto at the end of the Second World War. Among her many interests were book jackets and the artists who created them.

Lucius Richard O’Brien (1832–1899) was a Canadian painter best known for his landscape paintings in oil and watercolour. Born near Barrie in Upper Canada, he attended Upper Canada College in Toronto 1844–1846, where he studied art under artist and architect John G. Howard. In 1856 he moved to Orillia, Ont. and then to Toronto in 1870. After a career in business, O’Brien began landscape painting in 1872. Lucius O’Brien was vice-president of the Ontario Society of Artists 1874–1880 and soon after became the first president of the Royal Canadian Academy of Arts. His contribution to the first annual exhibition of the Academy was Sunrise on the Saguenay, Cape Trinity (1880), among his most famous works. O’Brien was instrumental in 1876 in founding the Ontario School of Art (now the Ontario College of Art and Design University) and was the editor of the successful publication Picturesque Canada (1882–1884), which featured his own work along with that of other artists. His artistic travels took him from the Atlantic coast of Canada to the Pacific; he was one of the first artists invited to travel to and paint the Rocky Mountains on the newly completed Canadian Pacific Railway in 1886. The varied landscapes of the country are rendered in his paintings in a poetic realist style. His works are in the collections of the Art Gallery of Ontario, the National Gallery of Canada and other public art museums. Lucius O’Brien married Margaret St John (d. 1866) in 1860 and Katherine Jane (Brough) Parker in 1888. No children were born of either marriage. He died in Toronto at the age of 67 and was buried in Shanty Bay, Ont near where he was born.