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John(Jack) Martin (1904-1965) was a British-born Canadian artist, designer and educator.

The Master Print and Drawing Society of Ontario (MPDSO) is the first independent body of specialist collectors of prints and drawings in Canada. Founded in 1985 by Sidney Bregman and Katharine Lochnan, the Society first came into existence as the Master Print and Drawing Society, and operated as a non-profit educational association that provided special assistance to its members with problems unique to collecting. The Society is officially affiliated with the Art Gallery of Ontario, but is an independent organization belonging to its members, and through its Board of Directors determines its objectives, policies and activities, requirements for membership, selection of new members, and the composition of its executive. The executive consists of the President, Vice-President(s), Secretary/Treasurer, and Directors. The President has primary responsibility for determining the Society's activities, making arrangements for lectures, tours, and other special events. Since 1989, the MPDSO has been supported by the Fraser Elliot Foundation in fulfilling its mandate to represent the collective interests of its members in seeking out the expert advice of scholars, curators, and visiting lectures to contribute special assistance with collecting master prints and drawings from the 15th to the mid 20th century.

Doris Jean McCarthy (1910-2010) was a Canadian artist born in Calgary, Alberta, but long associated with the Toronto suburb of Scarborough. She entered the Ontario College of Art in 1925 and studied under Arthur Lismer, JEH MacDonald, JW Beatty and Emanuel Hahn, graduating in 1930. She became an art teacher and travelled widely within Canada and Europe during school vacations. She has been a member of the Ontario Society of Artists, the Canadian Society of Painters in Water Colour, and was elected an Associate of the Royal Canadian Academy. She is represented in the collections of the Art Gallery of Ontario, the Art Gallery of Hamilton, the London Public Library and Art Museum and in many private collections. She received in honorary doctorate from the University of Toronto and was honoured by the City of Scarborough in 1996. During her career she assembled files on Canadian women artists gathered by friends in every province, with the intention of creating a book on the subject. In the early 1990s, realizing that the task was larger than anticipated, she offered her files to her friend, Lora Senechal Carney, a professor in the Visual and Performing Arts at the University of Toronto at Scarborough. Professor Carney also kept files on Canadian artists as background for her research and writing on various topics in North American modern and contemporary art. The files were amalgamated and used by Professor Carney until 2005.

James Stanley McLean (1876-1954), Toronto business executive and art collector, was president of Canada Packers and founder of the J.S. McLean Collection of Canadian art. He was born in Clarke Township, Durham County, Ontario. Having graduated from the University of Toronto in 1896, McLean became an employee of the Harris Abattoir Company in Toronto in 1901, rising to become president in the 1920s. He achieved a merger of his firm with three others in 1927, forming Canada Packers Limited — of which he was president until his death. J.S. McLean was a founder-member of the Art Gallery of Toronto and a member of its executive from 1934 until his death. He was a patron of Canadian art himself and started collecting in 1934. In 1939 he began to buy Canadian artworks of art to hang in the offices and other areas of Canada Packers’ plants across the country. The result was a significant collection amassed at a time when such art was not widely sought after. Among the creators of modern art in Canada, he focused especially on the work of A.Y. Jackson, Carl Schaefer, Paraskeva Clark and David Milne. In 1952 the collection was the subject of an exhibition at the National Gallery of Canada, Paintings and Drawings from the Collection of J.S. McLean. Many of the works lent for this exhibition were subsequently donated to the Art Gallery of Ontario. J.S. McLean died in Toronto in 1954.

Helen Galloway McNicoll (1879-1915) was a Canadian impressionist painter.

Mercer Union was created by former members of A.C.T. in 1979 to operate as an artist-run, non-profit cooperative gallery. Twelve founders contributed financially to the rental of a ground floor space at 29 Mercer Street and planned to mix local, regional, national and international exhibits, collaborating with other artist-run programs. Its mandate was to exhibit new work in the most advanced forms of painting and sculpture that was not receiving exposure in the commercial and public galleries. Performance art, installations and music were incorporated into the programming, which has continued to represent innovative and sometimes controversial material. Twelve board members are elected by dues-paying members and serve on the various committees (programming, curatorial, etc), with the help of a small paid staff. The gallery moved to 333 Adelaide Street West, 5th floor in 1981 and 439 King Street West in 1994. Their present location is 37 Lisgar Street; current information about the gallery can be obtained at www.mercerunion.org.

Leslie Mezei (born 1931 in Budapest, Hungary) is a former computer scientist who did pioneering work in the theory and practice of computer art and graphics while he was a professor at the University of Toronto in the 1960s and 1970s. His computer art experiments and writings thereon are among the earliest explorations of the medium. In 1972, Mezei completed the manuscript of a book, Computer Art: An International Portfolio, containing a history and overview of the medium illustrated with reproductions of early computer artwork from around the world.

David Brown Milne (Burgoyne, Ontario 1882-Bancroft, Ontario 1953) was a painter and etcher; he is widely considered to be among the most outstanding Canadian artists. He worked as a schoolteacher before deciding to study painting in New York where, in 1903, he enrolled in the Art Students’ League. Milne supported himself through commercial artwork but actively and successfully developed his own painting, exhibiting five canvases in the famous Armory Show of 1913. His friends during this period included James (“René”) Clarke, with whom he maintained a correspondence for many years. In 1916, Milne and his wife Patsy (née May Frances Hagerty), whom he had married in 1912, left the city and settled in Boston Corners, New York. In late 1917 Milne joined the Canadian army as a private, and in 1918 was appointed as a war artist to record the locations of battles that had involved Canadian troops. Milne returned to Boston Corners in 1919, where he spent most of his winters until 1928, summering in the Adirondacks. He moved to Ottawa for one year in 1923, when the National Gallery of Canada bought six of his watercolours. In 1928, Milne moved permanently back to Ontario (he separated from his wife in 1933), spending extended periods of time alone in the wilderness regions north of Toronto. Palgrave, a short drive from Toronto, became Milne’s home from 1930 to 1933, and from 1933 to 1939 he lived in a cabin on Six Mile Lake near Georgian Bay. He maintained an interest in the Toronto art scene and developed a small group of patrons including Alice and Vincent Massey, and Douglas Duncan of the Picture Loan Society, who acted as Milne’s agent and dealer for many years. He met his second wife Kathleen Pavey in 1938 and lived with her from 1939; their only child David Jr. was born in 1941. The Milnes lived in Uxbridge from 1940 to 1946. From 1947 Milne lived and worked at Baptiste Lake, with Kathleen and David Jr. joining him periodically. As Milne’s health deteriorated, the family moved to Bancroft to be closer to Baptiste Lake. Milne died at Bancroft in December 1953. His work is represented in numerous public collections, notably the National Gallery of Canada, the Art Gallery of Ontario, the McMichael Canadian Art Collection and the Winnipeg Art Gallery.

Walter Moos was born in Karlsruhe, Germany in 1926. He was educated at the Ecole Supérieure de Commerce in Geneva (graduated 1946) and at the New School for Social Research, New York, from 1948 to 1951. Moos moved to Toronto from New York in 1959, having become acquainted with the city through visits with his brother, an engineer, who lived there. He married Martha Wegmuller in 1962, and had two sons, Michel André and David Alfred. The Moos family has a well-established history as gallery owners. Walter Moos was a founding member of the Art Dealers Association of Canada, and served as its president from 1971 to 1978. He was the chairman of its appraisal committee from 1972 to 1989. He served on the Canadian Eskimo Arts Council from 1972 to 1982 and was the founder and past trustee of the Gershon Iskowitz Foundation. Moos died in Toronto in 2013.