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Authority record

Loring, Frances

  • http://viaf.org/viaf/20480965
  • Person
  • 1887-1968

Frances Norma Loring, sculptor, was born in Wardner, Idaho October 14, 1887. She studied sculpture in Geneva, Munich and Paris 1901-1905. In 1905 at the Art Institute of Chicago, she met Florence Wyle with whom she subsequently shared studios in New York (1909-1912) and Toronto (1912-1966). A member in 1920 of the Ontario Society of Artists, she was a founding member (1928) of the Sculptors' Society of Canada and a chief organizer of the Federation of Canadian Artists and the National Arts Council. Among her best-known public monuments are the lion of the Queen Elizabeth Monument in Toronto (originally near the entrance to the Queen Elizabeth Way) and war memorials at St Stephen, New Brunswick and Cambridge (formerly Galt), Ontario. Frances Loring died in Newmarket, Ontario February 3, 1968. Florence Wyle, sculptor, was born in Trenton, Illinois November 24, 1881. While studying at the School of the Art Institute of Chicago in 1905, she met Frances Loring, with whom she later moved to New York. Loring moved to Canada in 1912, where Wyle joined her the following year. They each produced a considerable body of work in their studio, a converted church, in Toronto. A member of the Ontario Society of Artists (1920), Wyle was the first woman sculptor to become a full member of the Royal Canadian Academy. She was also a published writer (Poems, 1958). Among her public sculptures is the relief of Edith Cavell on the grounds of the Toronto General Hospital. Florence Wyle died in Newmarket, Ontario January 13, 1968. Loring & Wyle’s works are in the collections of the Art Gallery of Ontario, the National Gallery of Canada and the Canadian War Museum and in several public and private buildings in Ontario.

Lexier, Micah

  • http://viaf.org/viaf/63572904
  • Person
  • 1960-

Micah Lexier (1960- ) has established a national and international recognition as an artist, curator, and avid collector. His artistic practice is rooted in conceptual art and is often characterized by its collaborative nature. He works across a multitude of media which include sculpture, drawing, photography, video, and installation. Lexier’s artworks are often recognized for their engagement with concepts such as time, language, and the everyday, which are emphasized through his preference for process over the end product, and an artistic methodology that centers around documenting, collecting, and organizing.

Born in Winnipeg, Manitoba, Lexier studied at the University of Manitoba, receiving a Bachelor of Fine Art in 1982. He went on to earn a Master of Fine Art from the Nova Scotia College of Art & Design in 1984. Lexier then spent more than a decade living and working in Toronto, before moving abroad to New York in 1999. In 2008 he returned to Toronto, where he has since remained.

In 2015 Lexier received the Governor General’s Awards in Visual and Media Arts. His extensive exhibition history includes over 100 solo exhibitions and more than 200 group exhibitions. He has also been commissioned to produce more than a dozen public art installations at venues including the Tom Thomson Memorial Art Gallery (1991), Toronto’s Metro Hall (1992), and Toronto’s Bay-Adelaide Centre (2016). His work is in many major Canadian and international collections including the National Gallery of Canada, the Art Gallery of Ontario, the Vancouver Art Gallery, the Musée d’art contemporain de Montréal, the British Museum, and the Contemporary Art Gallery (Sydney, Australia). In 2013, Lexier exhibited a landmark solo show at The Power Plant (Toronto, ON) entitled One, and Two, and More Than Two. The “one” portion of the show presented a 30 year retrospective of his work in the form of an artwork entitled Working as a Drawing. It was complemented by parts “two” and “more than two,” which showcased his practice in collaboration with more than 100 Toronto artists.

Jackson, A. Y. (Alexander Young)

  • http://viaf.org/viaf/47561937
  • Person
  • 1882-1974

A Canadian painter, Jackson was a founding member of the Group of Seven (1919) and the Canadian Group of Painters (1933). He taught at the Ontario College of Art (now OCADU) (1925) and the Banff School of Fine Arts (1943-1949) . He also serviced as a war artist during World War I.He was appointed a Companion to the Order of Canada 1967) and received the Royal Canadian Academy of Arts medal for lifetime achievement (1970).

Harris, Pamela

  • http://viaf.org/viaf/3283438
  • Person
  • 1940-

Born in Erie, Pennsylvania in 1940, Pamela Harris completed her Bachelor of Arts in English Literature at Pomona College in 1962, and moved to Toronto in 1967. A self-taught photographer, her work has consistently engaged with issues of social activism and feminist themes. In 1984, she embarked on perhaps her best known project Faces of Feminism, spending the next several years photographing women across Canada. The resulting work was exhibited extensively around Canada, and a selection of 75 photographs was published by Second Story Press as the book Faces of Feminism in 1992.

Pamela Harris first visited Spence Bay in September 1972. In 1973, she spent another four months in Spence Bay, Northwest Territories (now Taloyoak, Nunavut) photographing the people and landscape of the community, conducting interviews, and establishing a community darkroom where she taught local residents (mostly Inuit craftswomen) how to process film and print their own photographs.

In addition to the monograph Another Way of Being, published in 1976, Harris’ Spence Bay. N.W.T. photographs were exhibited in 1974-76 at The Photographers' Gallery in Saskatoon, the David Mirvish Gallery in Toronto, and the Monterey Peninsula Museum of Art in California. Photographs taken and printed by the Spence Bay residents as part of the darkroom project and natural dyes workshop were exhibited in 1974 at the Arctic Women's Workshop, a craft conference and exhibition held at the TD Centre in Toronto. An interview Harris conducted with Theresa Quaqjuaq, one of the Inuit women who participated in the darkroom project with Pamela Harris, was recorded and included in the 1973 Women’s Kit, a teaching aid Harris produced for the Ontario Institute for Studies in Education (OISE) to be used in high schools and colleges for teaching women’s history in Canada. Excerpts of this interview, as well as an interview with Pamela Harris, were also aired on CBC Radio.

A small settlement near Boothia Peninsula (formerly Boothia Felix) in the Kitikmeot Region, Spence Bay was established by the Hudson Bay Company as a trading post in the 1950s, and settled by Netsilik and Dorset people. According to Harris, the population was about 400 in 1972-1973, most of whom had settled there within the past fifteen years, and many of whom spoke only Inuktitut. Her portraits of the people she met during her stay there and photographs of the landscape she encountered document the traditional ways of life and the rapid changes it underwent due to the cultural influences of the south.

Hammond, M.O. (Melvin Ormond)

  • http://viaf.org/viaf/11518550
  • Person
  • 1876-1934

Melvin Ormond Hammond (1876–1934) was a Canadian journalist, editor, photographer and author. He was born in Clarkson, Ont. to Alvin and Catharine (Nauman) Hammond, and attended local public schools. In 1895 he became a reporter in Toronto with The Globe newspaper, where he continued in various positions for his entire career. In 1900 he married Clara Williams (b. 1875), with whom he had two children, Harold James (b. 1901) and Helen Isabel (b. 1909).
Melvin Hammond joined the Toronto Camera Club in 1906 and took up photography, the pursuit for which he is today best known, exhibiting his amateur photos at the Canadian National Exhibition and elsewhere in Toronto. His journalistic interest in Canada resulted in photographs of Canadian monuments and memorials and in portrait photographs of prominent figures of the day. As an author, he wrote three books, the last of which was Painting and Sculpture in Canada (Toronto : Ryerson Press, 1930).
M.O. Hammond was also a member of the Canadian Literary Club, the Arts and Letters Club of Toronto, the Ontario Historical Society, and the Canadian Historical Society. He died in Toronto in 1934.

Graham, W.H.

  • http://viaf.org/viaf/16421856
  • Person
  • 1912-

W.H. Graham is the author of The Tiger of Canada West (Clarke Irwin & Co., 1962) and Greenbank: Country Matters in 19th Century Ontario (University of Toronto Press, 1990). In the 1970s, he researched and wrote a stage documentary on the life of Tom Thomson.

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