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Authority record
artists (visual artists)

Oonark, Jessie

  • http://viaf.org/viaf/7243177
  • Person
  • 1906-1985

Jessie Oonark (1906-1985) was a Canadian Inuit artist, known primarily for her prints and textile works.

Goodwin, Betty

  • http://viaf.org/viaf/96328829
  • Person
  • 1923-2008

Betty Roodish Goodwin (1923-2008) was a Montreal-based printmaker and installation artist.

Munn, Kathleen Jean

  • http://viaf.org/viaf/77114622
  • Person
  • 1887-1974

Kathleen Jean Munn (1887-1974) was a modernist Canadian painter active in Toronto between the World Wars. She was the youngest of six children born to a Toronto jeweler who died when she was four (of an infection caused by the impact from a champagne cork) leaving her mother to manage the family business. Her talent for drawing was encouraged by her maternal grandmother, an accomplished amateur painter, and she was sent to study at the Westbourne School with F. McGillivray Knowles from 1904 to 1907. Knowles encouraged personal expression and an understanding of the principles of art and Munn thrived in this environment. In 1909 she began to exhibit Barbizon inspired landscapes at the OSA, RCA and CNE exhibitions, moving through periods influenced by Whistler, Corot, Puvis de Chavannes and the post-impressionists. About 1912 Munn first traveled to New York to study at the Art Student’s League and in 1914 she was awarded first prize at the Summer School in Woodstock NY. In 1915-16 she began a series of landscapes in which she showed a mastery of modernist techniques. Her association with the Art Student’s League, whose teachers were early proponents of modernism, was an important influence. Her notebooks show that she was reading extensively and broadly in the areas of literature, philosophy and aesthetics. She studied Jay Hambridge’s mathematical principles, the concept of ‘dynamic symmetry’ and Denman Ross’s colour theory. She seems to have been drawn to writers who proposed an underlying system of order and logic as a basis for individual expression. She also toured Britain and the major art centres of continental Europe in 1920, accompanied by her sister, and this trip seems to have encouraged her quest for a means to express religious and spiritual themes in a contemporary fashion. She was ultimately uncomfortable with complete abstraction and believed that art should express a larger purpose, influenced by readings of Blavatsky, Blake, Whitman, and others. The Group of Seven shared her interest in the spiritual content of painting but she was intolerant of their nationalism; of her contemporaries she formed the closest bonds with Bertram Brooker and Lemoine Fitzgerald. Her studio, in a large room overlooking the ravine at the family home at 320 Spadina Avenue, was visited often by Brooker. The household consisted of three unmarried siblings: Will (Jr.), who ran the family business, May, a teacher who ran the household, and Kathleen. During the 1920’s she began to work on a series of paintings that explored Christian themes and she devoted the 1930’s to the subject of the Passion. Two major drawings from this series were purchased by the Art Gallery of Ontario in 1945. She exhibited a number of these drawings with Fitzgerald and Brooker at the Malloney Galleries in Toronto in 1935 but there as little critical response. Discouragement at her lack of critical success, combined with the death of her brother in 1935 and her sister’s increasing disability, led to the end of her artistic output around 1939. Most of her work remained in family hands. The Art Gallery of Toronto exhibited her Passion drawings in several group shows in the 1940’s and the Willistead Art Gallery in Windsor included her Ascension in a 1954 show of drawings. She died twenty years later, in October 1974.

Rawbon, J. Loxton

  • http://viaf.org/viaf/137111903
  • Person
  • 1855-1942

Joseph Loxton Rawbon (1855-1942) was an artist and art restorer active in Toronto in the 1920s. He was born in Cape Town, moved to England ca. 1861, and emigrated to Canada in 1871. Rawbon began his career as a gun maker in his father’s employment, but turned later to art and photography. He won prizes for his work at several fairs in southern Ontario. Rawbon claimed to have invented the keyless stretcher for artists’ canvases, and developed his own “Rawbon Process” to clean the varnish from paintings. He served as a lifeguard as a member of the Queen City Life-Saving Association.

Kindlund, Anna Belle Wing

  • Person
  • 1876-1922

Anna Belle Wing Kindlund (later Mrs. Alois Trnka), 1876-1922, was an artist born in Buffalo, New York. She studied with W. Hitchcock in Buffalo, and G. Bridgman in New York. She was a member of the Buffalo Society of Artists and the New York Society of Craftsmen, and is listed in Who Was Who in American Art as a painter and miniaturist.

Martin, John

  • Person
  • 1904-1965

John(Jack) Martin (1904-1965) was a British-born Canadian artist, designer and educator.

Schaefer, Carl

  • http://viaf.org/viaf/26093774
  • Person
  • 1903-1995

Carl Fellman Schaefer (1903-1995) was a Canadian artist and educator known for his depictions of rural Ontario. John(Jack) Martin (1904-1965) was a British-born Canadian artist, designer and educator. The two, who were friends and colleagues, exchanged letters in illustrated envelopes from circa 1954 until Martin’s death.

Sandham, Henry

  • http://viaf.org/viaf/16276438
  • Person
  • 1842-1910

Henry Sandham (1842-1910) was an illustrator and painter who lived successively in Montreal, Boston, and London, England. He was associated with the Montreal studio of William Notman, where he received his early training, later headed the art department, and was briefly a partner. Sandham produced illustrations for several leading magazines of his day, including the Century Magazine.

Panton, L.A.C. (Lawrence Arthur Colley)

  • http://viaf.org/viaf/95897633
  • Person
  • 1894-1954

Lawrence Arthur Colley Panton (1894-1954) was a Canadian painter, educator and academician active in Toronto from the 1930s until his death. Born in England, he immigrated to Canada at 17. He served in the Army during 1916-1919 and studied art in the evening after his return from the war. In Toronto, he worked at Rous and Mann as a designer until 1924 when he began his teaching career, first at the Central Technical School and then at Western Technical School (1926-37), Northern Vocational School (1937-51) and finally principal of the Ontario College of Art (1951-54). In 1920 he married Marion Pye; their son Charles was born in 1921 and died in action in 1944. Panton was active in a number of organizations, including the Ontario Society of Artists (President 1931-37), the Canadian Society of Painter-Etchers and Engravers, the Canadian Group of Painters, The Royal Canadian Academy and the Arts and Letters Club (President 1953-54).

Jefferys, C.W. (Charles William)

  • http://viaf.org/viaf/30461925
  • Person
  • 1869-1951

Charles William Jefferys (1869-1951) was a prolific Canadian artist, illustrator and author. He was a talented landscape painter whose work was widely exhibited and collected, but is best known for his illustrations of Canada’s past. He was born in Rochester, Kent. In 1875 the Jefferys family emigrated to Philadelphia, then in 1878 they moved to Hamilton before settling in Toronto around 1880. Jefferys began formal training as an artist in 1884 when he started attending evening classes at the Ontario School of Art. The following year, Jefferys began a five-year apprenticeship at the Toronto Lithographic Company, where he was also hired out to work occasionally as an illustrator for The Globe. He worked as an artist for The Globe, as well as for a number of other Canadian newspapers until the fall of 1892 when he was taken on as an artist-reporter for The New York Herald. Jefferys lived in New York and New Jersey until 1899, returning to Canada permanently in 1901, eventually settling in York Mills. Jefferys illustrated a large number of books and articles providing illustrations for The Makers of Canada (1903-1911), Chronicles of Canada (1914-1916), was co-founder of the satirical periodical The Moon (1902-1904), and wrote and illustrated Canada’s Past in Pictures (1934) and The Picture Gallery of Canadian History (1942, 1945, 1950). He also gave frequent lectures and published numerous articles on art, architecture, and Canadian history. From 1912 to 1939 Jefferys was instructor of freehand drawing at the Department of Architecture at the University of Toronto. He also was a lecturer and part-time instructor at the Ontario College of Art. Jefferys worked for Canadian War Records in 1918, recording the activities Polish Army in Exile at Niagara and Toronto and the Siberian Army in Exile in at Camp Petawawa, Ontario. Jefferys was active in many organizations, including the Ontario Society of Artists, Royal Canadian Academy, Art Students’ League, and the Arts and Letters Club. He exhibited his art widely throughout his life, in Canada and abroad, and his work appears in major institutions across Canada.

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