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Suzy Lake (born Detroit, Michigan, 1947) is a visual artist and educator whose work uses photoconceptual, performance and video strategies to examine and critique ideals of the body, gender and identity. She immigrated to Montreal in 1968, following the 1967 Detroit riots, and became a founding member of the artist-run centre Véhicule. Lake’s career has been based in Toronto since the late 1970s. She has taught at the University of Guelph since 1988. Her work is in numerous major public collections including those of the National Gallery of Canada, Art Gallery of Ontario, Winnipeg Art Gallery and Montreal Museum of Fine Art.

Timothy Melvin Zuck, Canadian artist and educator, was born in 1947 in Erie, Pennsylvania. He attended Wilmington College from 1966-1967 and 1968-1969. There he majored in philosophy and psychology and took a few courses in art history and sculpture. In 1967-1968, Zuck joined his parents on a year-long mission to India, where he studied at Madras Christian College. Zuck received his Bachelor of Fine Arts from the Nova Scotia College of Art and Design (NSCAD) in 1971. While at NSCAD, he did performance, film, photographic and other process-oriented and conceptual projects. In Halifax Zuck met and married Robyn Randell. He then earned his Master of Fine Arts from the California Institute of the Arts in Valencia, California in 1972. After completing his graduate studies, Zuck returned to NSCAD in late 1972, where he was Assistant Professor until 1979. While teaching at NSCAD, he continued to work on his conceptual projects. In 1975, Zuck began to focus on painting, in which he had no formal training. In 1979, he resigned from NSCAD and began to paint full-time in Purcell’s Cove, near Halifax, Nova Scotia. Zuck became a Canadian citizen in 1983. The Zucks moved from Purcell’s Cove to Kingston, Ontario, where they lived from 1982-1984 and then lived for three years in downtown Toronto, where their daughter, Anna, was born in 1985. They then moved to Midland, Ontario. In addition to taking part in many artist expeditions, Zuck won a poster competition for the XV Olympic Winter Games in 1988 in Calgary, Alberta. He moved to Calgary in 2002 to teach at the Alberta College of Art and Design. Tim Zuck is represented by the Sable-Castelli Gallery in Toronto, Ontario and the Paul Kuhn Gallery in Calgary, Alberta. His work has been included in numerous group and solo exhibitions in Canada, the United States and Europe, and may be found in the collections of numerous Canadian galleries and museums.

Mary E. Wrinch (Kirby-le-Soken Essex, England, 1877 - Toronto, Ontario, 1969) was a Canadian painter and printmaker.

Frederick Horsman Varley, painter, was born in Sheffield, England in 1881. He studied at the Sheffield School of Art 1892–1900, and at the Koninklijk Akademie voor Shone Kunsten (Académie royale des beaux-arts) in Antwerp for the following two years. After working as an illustrator and art teacher in England, he immigrated to Canada and obtained work as a commercial illustrator in Toronto in 1912, the same year he first exhibited his art work at the Canadian National Exhibition. In 1914, Varley joined Tom Thomson, A.Y. Jackson and Arthur Lismer on sketching trip to Algonquin Park in Ontario. Some of his most famous works resulted from his association with these artists. He participated in the War Art program after the war in 1918 and was a founding member of the Group of Seven in 1920. Although he painted numerous landscapes, his interest lay more in portraiture, which he pursued during the 1920s. Varley moved to Vancouver in 1926 to teach at the School of Decorative and Applied Arts. His landscapes from this period are marked by fine draftsmanship, exotic colour and unusual vantage points. In 1933 he and J.W.G. Macdonald opened their own school, the British Columbia College of Arts, which closed in 1935. Varley lived subsequently in Ottawa and Montreal, returning in 1944 to Toronto. The Art Gallery of Ontario held a retrospective of his work in 1954. He died in Toronto in 1969. Varley was a member of the Arts and Letters Club, Toronto. His work is in numerous Canadian public collections.

Elizabeth Fraser Williamson (1914-2000) was a sculptor and educator who worked as artist in residence for many years at the Guild Inn, Scarborough.

Michael James Aleck Snow (1928-2023) was a Canadian painter, sculptor, filmmaker, photographer and musician. He was born in Toronto and educated at Upper Canada College and subsequently at the Ontario College of Art (1948-1952). After travels in Europe (1953-54) he worked for Graphic Films in Toronto (1955-56), producing his first independent film, A-Z. His first solo exhibition as a painter was at the Greenwich Gallery in Toronto in 1956. Between 1961 and 1967, mostly while living in New York, Snow produced work in the Pop-art mode based on the silhouette of a young woman, entitled Walking Woman, probably his most widely recognized creation. A series of 11 stainless steel sculptures of the image was created for the Ontario pavilion at Expo 67 and is now in the collection of the Art Gallery of Ontario. After moving to New York in 1964, he made films regarded as Minimalist, such as New York Ear and Eye Control (1964) and Wavelength (1966-67). Returning to Toronto in 1972, Snow worked mainly on cinematic and photographic projects including ‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen. His work is concerned with the nature of media themselves, with perception and with the interrelation of language, sound and meaning. Snow has been the subject of exhibitions and retrospectives in Toronto, Vancouver and Paris.

Rolph Scarlett was a pioneering non-objective painter, jewellery designer, stage designer and educator known for his association with the Guggenheim Museum and Hilla Rebay. Born in Guelph, Ontario, Scarlett had early training in jewellery design through apprenticeship in a family business, and briefly attended the Art Students' League in New York. He returned to Canada for periods of time in the 1910s and 1930s, in between efforts to establish his career as a designer in the United States and internationally. On business travel to Switzerland in 1923, he encountered Paul Klee and became a proponent of pure abstraction in art. Scarlett moved to New York in 1937, becoming acquainted with Hilla Rebay and Rudolf Bauer, and winning a Guggenheim Foundation fellowship. Rebay purchased sixty of Scarlett's works for the collection of the Museum of Non-Objective Painting, affirming his significance to the founding collection of what would become the Guggenheim Museum. Scarlett joined the staff as the museum's chief lecturer from 1940 to 1946. Scarlett's work is held in major collections including the Guggenheim Museum, the Smithsonian Institution, the Los Angeles County Museum of Art, the Montreal Museum of Fine Arts, and the de Young Museum.

George Agnew Reid (1860-1947) was a Canadian artist, architect, educator and administrator influential in the early 20th century and instrumental in the formation of a number of important Canadian art institutions. Born in Wingham Ontario to a Scottish farm family, he studied architecture and book-keeping at his father’s insistence. In 1878 he moved to Toronto to study art. He was able to extend his art education under Thomas Eakins in Philadelphia, where he met the painter Mary Heister. In 1888 the couple travelled to Europe and studied at the Julian and Colorossi Academies, returning to Toronto in 1889. The house he designed and built in Wychwood Park was his home until the end of his life. In 1890, George Reid began reaching at the Central Ontario School of Art and Design. He eventually became principal and researched new theories of art education in the United States and Europe. Under his direction, the art school became independent of the Board of Education and moved into its own building, which he designed, in 1921. He also served as its first Principal. In 1892, George and Mary Reid built two cottages from his design at the artist colony in Onteora, New York. This led to the design of other summer homes and a small church in the Catskills community. They spent summers at this location until 1917 when the war made travel to the United States difficult. In 1921 Mary Heister Reid died, and in 1923 George Reid married Mary Wrinch, a former student and close friend of his first wife. His later life was filled with accomplishments, including the painting of murals for public spaces in Toronto City Hall, Jarvis Collegiate, the Royal Ontario Museum and elsewhere. He was instrumental in obtaining permanent funding and staff for the National Gallery in Ottawa, and was a force behind the establishment of the Art Gallery of Toronto. He was a member of the RCA, serving as President 1906-1907. He influenced a generation of students, among them C.W. Jefferys, through his teaching and created a number of works that exemplify his generation, including Forbidden Fruit, Mortgaging the Homestead, and The Foreclosure of the Mortgage.

Doris Jean McCarthy (1910-2010) was a Canadian artist born in Calgary, Alberta, but long associated with the Toronto suburb of Scarborough. She entered the Ontario College of Art in 1925 and studied under Arthur Lismer, JEH MacDonald, JW Beatty and Emanuel Hahn, graduating in 1930. She became an art teacher and travelled widely within Canada and Europe during school vacations. She has been a member of the Ontario Society of Artists, the Canadian Society of Painters in Water Colour, and was elected an Associate of the Royal Canadian Academy. She is represented in the collections of the Art Gallery of Ontario, the Art Gallery of Hamilton, the London Public Library and Art Museum and in many private collections. She received in honorary doctorate from the University of Toronto and was honoured by the City of Scarborough in 1996. During her career she assembled files on Canadian women artists gathered by friends in every province, with the intention of creating a book on the subject. In the early 1990s, realizing that the task was larger than anticipated, she offered her files to her friend, Lora Senechal Carney, a professor in the Visual and Performing Arts at the University of Toronto at Scarborough. Professor Carney also kept files on Canadian artists as background for her research and writing on various topics in North American modern and contemporary art. The files were amalgamated and used by Professor Carney until 2005.

Arthur Lismer, painter and art educator, was born in Sheffield, England in 1885. He studied at the Sheffield School of Art 1899–1906 and later at the Académie royale des beaux-arts in Antwerp. In 1911 he immigrated to Toronto where he worked as a commercial illustrator for the Grip Engraving Company and taught at the Ontario College of Art. He married Esther Mawson in 1912 and their only child Marjorie was born in 1913. Lismer's career as an art educator began at the Victoria School of Art and Design in Halifax, 1916–1919, followed soon after by his appointment as Vice-President of the Ontario College of Art in Toronto. In 1920 he became a founding member of the Group of Seven. His best-known works in oil are wilderness landscapes, expressionist in style with a use of raw colour and simplified form. He also produced many works on paper, including several portraits. Lismer established a Children's Art Centre at the Art Gallery of Toronto, where he was educational supervisor, 1927–1938. He was briefly educational supervisor at the National Gallery of Canada, later holding that post at the Montreal Museum of Fine Arts from 1941 to 1967. He was assistant professor of fine arts at McGill University, 1948–1954. He died in Montreal in 1969. Arthur Lismer was a member of the Arts and Letters Club, Ontario Society of Artists, Royal Canadian Academy of Arts, Canadian Group of Painters, Canadian Society of Painters in Water Colour, and Federation of Canadian Artists. His work is in many Canadian public collections. Following her father’s death, Marjorie Lismer Bridges devoted a number of years to organizing his archival records and gradually donating them to public repositories. She wrote the “Arthur Lismer source book”, which is included in the fonds.