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Avis Lang [Rosenberg] (1944-) is an art historian, teacher, curator, writer and editor who lived in Vancouver for many years. In 1972, as a member of the faculty of the Fine Art Department at the University of British Columbia, she wrote to Canadian artist Jack Chambers (1931-1978) beginning a correspondence that led Chambers to invite her contribution to a scholarly monograph on his work. In 1973, Peter Mellen took over the editorial direction for the book and differences of opinion prompted her to resign the project. Her essay, “The Hart of London: a film by Jack Chambers” was included in The Films of Jack Chambers, edited by Kathryn Elder (Cinematheque Ontario and Indiana State University Press, 2002).

Thomas Roche ("Tommy") Lee was an ephemera collector and amateur art historian who lived at least part of his life in Baie d'Urfé, Quebec. He was the author of Albert H. Robinson, the painter's painter (Montreal, Canada : T.R. Lee, 1956), and produced an edition of Daniel Fowler's autobiography. He also made studies of Quebec church architecture. Lee corresponded for many years with Sybille Pantazzi, Librarian of the Art Gallery of Ontario, with whom he exchanged rare Canadian exhibition catalogues, ephemera, and manuscript material. He died in Toronto in 1977.

Charles William Jefferys (1869-1951) was a prolific Canadian artist, illustrator and author. He was a talented landscape painter whose work was widely exhibited and collected, but is best known for his illustrations of Canada’s past. He was born in Rochester, Kent. In 1875 the Jefferys family emigrated to Philadelphia, then in 1878 they moved to Hamilton before settling in Toronto around 1880. Jefferys began formal training as an artist in 1884 when he started attending evening classes at the Ontario School of Art. The following year, Jefferys began a five-year apprenticeship at the Toronto Lithographic Company, where he was also hired out to work occasionally as an illustrator for The Globe. He worked as an artist for The Globe, as well as for a number of other Canadian newspapers until the fall of 1892 when he was taken on as an artist-reporter for The New York Herald. Jefferys lived in New York and New Jersey until 1899, returning to Canada permanently in 1901, eventually settling in York Mills. Jefferys illustrated a large number of books and articles providing illustrations for The Makers of Canada (1903-1911), Chronicles of Canada (1914-1916), was co-founder of the satirical periodical The Moon (1902-1904), and wrote and illustrated Canada’s Past in Pictures (1934) and The Picture Gallery of Canadian History (1942, 1945, 1950). He also gave frequent lectures and published numerous articles on art, architecture, and Canadian history. From 1912 to 1939 Jefferys was instructor of freehand drawing at the Department of Architecture at the University of Toronto. He also was a lecturer and part-time instructor at the Ontario College of Art. Jefferys worked for Canadian War Records in 1918, recording the activities Polish Army in Exile at Niagara and Toronto and the Siberian Army in Exile in at Camp Petawawa, Ontario. Jefferys was active in many organizations, including the Ontario Society of Artists, Royal Canadian Academy, Art Students’ League, and the Arts and Letters Club. He exhibited his art widely throughout his life, in Canada and abroad, and his work appears in major institutions across Canada.

Ann Davis (1946-) is a Canadian art historian, curator, museum professional and writer. She published Somewhere Waiting: The Life and Art of Christiane Pflug in 1991 (Toronto: Oxford University Press). Davis is a past director of the Nickle Arts Museum at the University of Calgary.

Angela Nairne Grigor is a writer and art educator living in Picton, Ontario. Born in Britain, she attended the Wimbledon School of Art and the Brighton College of Art. She became a Canadian citizen in 1974 and received her MA and PhD from Concordia University in 1982 and 1985, respectively. She worked as a travelling art specialist for five years in England, and taught in Canadian high schools and at Concordia University. She has also exhibited her own drawings, soft sculptures and textiles. She began her research on Arthur Lismer’s teaching career in the 1980’s, and her book, Arthur Lismer, visionary art educator, was published by the McGill-Queen’s University Press in 2002. In that year she was awarded the Prix des Fondateurs de L’Association Canadienne de Histoire de l’Education for the best work in English.

W.H. Graham is the author of The Tiger of Canada West (Clarke Irwin & Co., 1962) and Greenbank: Country Matters in 19th Century Ontario (University of Toronto Press, 1990). In the 1970s, he researched and wrote a stage documentary on the life of Tom Thomson.

Robert Stacey (1949-2007) was an art historian, author, editor, picture editor and curator based out of Toronto. He wrote numerous books and articles on C.W. Jefferys and many other aspects relating to Canadian art and graphic design, with titles including The Hand Holding the Brush: Self Portraits by Canadian Artists, Canadian Bookplates, Massanog: the art of Bon Echo, and Sir Daniel Wilson (1816-1892): ambidextrous polymath. Robert Stacey was the grandson of C.W. Jefferys.

Beth (Mary Elizabeth) Southcott, née Woolger, 1923-2004, was an amateur artist and art writer based in the Clarkson area of Mississauga. She was interested in visual art throughout her life, taking courses as a child at the (then) Art Gallery of Toronto and the Ontario College of Art, and later serving as the director of Visual Arts Mississauga. Southcott became interested in Indigenous art as an outcome of a course she took at Erindale College (now University of Toronto Mississauga) in 1975. Her book The Sound of the Drum is an original contribution to the historiography of Anishinaabe art and its reception by settler audiences.

Joan Murray (1943-) is an art historian, curator, author and museum administrator known for her work at art museums including the Robert McLaughlin Gallery and the Art Gallery of Ontario.

Melvin Ormond Hammond (1876–1934) was a Canadian journalist, editor, photographer and author. He was born in Clarkson, Ont. to Alvin and Catharine (Nauman) Hammond, and attended local public schools. In 1895 he became a reporter in Toronto with The Globe newspaper, where he continued in various positions for his entire career. In 1900 he married Clara Williams (b. 1875), with whom he had two children, Harold James (b. 1901) and Helen Isabel (b. 1909).
Melvin Hammond joined the Toronto Camera Club in 1906 and took up photography, the pursuit for which he is today best known, exhibiting his amateur photos at the Canadian National Exhibition and elsewhere in Toronto. His journalistic interest in Canada resulted in photographs of Canadian monuments and memorials and in portrait photographs of prominent figures of the day. As an author, he wrote three books, the last of which was Painting and Sculpture in Canada (Toronto : Ryerson Press, 1930).
M.O. Hammond was also a member of the Canadian Literary Club, the Arts and Letters Club of Toronto, the Ontario Historical Society, and the Canadian Historical Society. He died in Toronto in 1934.