Showing 64 results

File consists of textual records and graphic material concerning Favro’s work and projects from predominantly the late 1960s to early 1970s. It includes correspondence from Carmen Lamanna, the Agnes Etherington Art Centre at Queen’s University concerning a possible exhibition, Laurent Lamy concerning the 1973 Paris Biennale, and Alvin Balkind at the AGO concerning a reference request for a Canada Council grant. Also included is a page discussing the increasing size of Favro’s art dealer’s signature, a fundraising poster for the Nihilist Spasm Band’s appearance at the Paris Biennale, and a 1971 description of the Nihilist Spasm Band’s influences, printed on Carmen Lamanna letterhead. It also includes a 1972 letter from Louise Tremblay to Carmen Lamanna, a 1968 cheque receipt from Standard Life Assurance Company, a letter from Cecile Valin at the National Gallery from 1969, a handwritten page listing expenses in London, England, a B&W photograph of a television, 2 copies of a 1980 advertisement for Favro’s “Seproject,” a list of classes at the Ontario College of Art, taught by Favro between 1973-74, as well as a letter and timetable. It also includes a number of pages of handwritten notes and sketches by Favro, including those for “Theoretical Machines,” and 2 sketches of a bicycle wheel component.

File consists of 1 CD titled "Computer Samples." On the cover is a digital rendering of a red train. Included are approximately 175 of electronic files relating to Favro's projects, including "Big Train," “Porch,” and "Arow[sic]." Includes images, text files, records relating to “Netscape,” and records relating to a possible movie project. Also contains a 16-bit version and a 32-bit version of “PKZIP for Windows,” a file archiving computer program.

File consists of 13 pages of textual records, comprised of a 1977 letter sent by Carmen Lamanna to Dennit Tourbin, the editor of Carot regarding a recent article, “L’affaire Lamanna.” Also includes a manuscript of the response to the article which Lamanna requests be published in the next issue of Carot.

File consists of largely undated textual and graphic materials, mainly comprised of Favro's handwritten notes and sketches. A number of sketches depict or are related to aircrafts and jets, and others relate to undefined projects and ideas. A number of handwritten notes are included, which relate to potential and existing projects, Favro's thoughts on different topics, and drafts of correspondence. Also included is a 1971 letter to Favro from Dennis Young at the AGO, a map of the Paris Metro system, and a 1970 catalogue for the 2020 Gallery.

File consists of 1 undated duotang notebook of papers primarily containing aircraft sketches. At the back of the notebook is also a draft of a letter to Peter Sepp requesting financial assistance from POCA for a show.

File consists of approximately 27 pages of notes and sketches mostly relating to aircraft design. Some pages have dates between 1972-73, but many are undated. Also includes two sketches of aircraft components on tracing paper.

File consists of textual records pertaining mainly to Favro’s activities between 1970-1975, and especially regarding flight and aircrafts. Includes a letter from Carmen Lamanna to Dr. Manfred Schneckenburger regarding "Projekt '74," a letter from Favro to the Experimental Aircraft Association, and a letter from the Auckland City Art Gallery, New Zealand. It also includes a printed 30-page article titled, “A Computer-Based Alternative for Scientific and Technical Publishing,” a 1974 invitation to an exhibition opening featuring Favro's work at the Gallery of the London Public Library and Art Museum, and approximately 20 pages of notes and sketches from 1971-72 detailing possible projects and ideas for a project titled "Flight" and a number of other undefined projects.

File consists of 1 watercolour painting of 3 aircrafts in flight.

File consists of textual records including a number of handwritten notes and diagrams for a project (possibly "Synthetic Wave"), two copies of a printed diagram of an aircraft and its internal components, and a 20th Anniversary Issue of the Forest City Gallery catalogue for 1973-1993. Also includes a 3-page letter from Carmen Lamanna to Shonan McKay at Macleans Magazinefrom 1979, a handwritten letter from Nairn Publishing House from 1974, and a 2-page letter from Carmen Lamanna to Cathy Arthur with artscanada from 1981.

File consists of approximately 95 loose pages of textual records and graphic material, and 1 stapled catalogue booklet. Materials mainly concern Favro’s works and projects from the 1990s. Also includes colour and B&W print-outs of Favro's works, mainly installation pieces, possibly photocopied from a published catalogue. Also included are notes, sketches, and installation instructions pertaining to "Railway Tracks (1995-1996)," a printed email from Don Wherry to A. Pratten about the lineup for the 1996 Sound Symposium, a draft from 1971 of Favro's writings on "Mechanology," a copy of a published Spanish-language catalogue titled "Casa de las Americas" from 1988, a photocopy of a French-language biographical sketch from 1973, a photocopy of a magazine article about Favro in English and French from 1995, printed information on the Forest City Gallery, including its mission statement, and a colour printout of "Snow on Steps (1994)."