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File contains manuscript correspondence of Lismer to Eric Brown, officials at the Ontario College of Art, and others, largely unfinished and unsent, on art education and other subjects.

File contains a manuscript essay (3 leaves) by Lismer entitled “A memorable meal,” with a small pen sketch. The file also includes photocopies (probably made in the 1970s or ‘80s) of typescripts of Lismer’s lectures and radio talks.

File contains offprints of articles by Canadian ethnographer and folklorist Marius Barbeau (1883-1969) from The Scientific Monthly (1942), The Geographical Review (1945) and other periodicals, with autograph dedications to Arthur Lismer.

File contains correspondence to Lismer in Montreal from Sydney Key, curator at the Art Gallery of Toronto regarding the exhibition Arthur Lismer: Paintings 1913-1949 at the gallery in January-February 1950, with a manuscript letter to Sydney Key in Lismer’s hand (not sent); lists of paintings and a diagram of an installation; with an annotated proof of the catalogue for the exhibition. Some leaves have pen or pencil sketches.

File contains lists of paintings in exhibitions of Arthur Lismer’s work at commercial galleries between 1935 and 1958 including J. Merritt Malloney (Toronto), W. Scott (Montreal), T. Eaton Co. Fine Arts (Toronto), Les Amis de l’Art (Montreal), and others. Some leaves have pen or pencil sketches on verso.

File contains a manuscript essay by Arthur Lismer entitled "The appreciation of pictures"; typescript or carbon copies of "Letters to African teachers of Bechuanaland," and "Suggestions for a proposed syllabus for the teaching of art in [South African] native schools"; and a mimeograph copy of five chapters of "The teaching of art in normal primary & secondary schools [in the Transvaal]."

Item is a commonplace book inscribed on the front endpaper "Notes: various / C.M. Manly, Toronto" (British Canadian artist Charles MacDonald Manly, 1855

Item is a copy of Hokusai by C.J. Holmes (London: Unicorn Press, 1899) inscribed "A. Lismer," with pen sketches by Lismer on the title page and back endpaper.

File contains manuscript correspondence from Lismer to the staff of the Children’s Art Centre at the Art Gallery of Toronto discussing his sentiments about art education; letters were written from Columbia University in New York (1938–1939), and afterwards from Ottawa. Includes typed transcripts.

File contains correspondence to Lismer in South Africa, New York and Montreal from then-president of the Art Gallery of Toronto Charles Shaw Band in Toronto, between 1936 and 1949, commenting on events and committee affairs at the Gallery. The file also includes correspondence (1949–1950) from Harry Southam regarding Lismer’s canvas Sombre Isle.