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Only top-level descriptions Canadian Art Club (Toronto, Ont.)
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Canadian Art Club fonds

  • LA.SC009
  • Fonds
  • 1885-1949, predominant 1907-1915

Fonds consists of the records of the Canadian Art Club, including minutes of the organization’s meetings, constitution and by-laws, membership lists, photographs of artworks, documents of incorporation (1909) and ultimate dissolution (1930s) and club financial records in the form of ledgers and a collection of bills and receipts. Materials related to club exhibitions and dinners are supplemented by an extensive collection of clippings from reviews in newspapers of the day. Correspondence forms a significant portion of the papers, especially that to and from Edmund Morris, secretary of the club for several years. Papers related to the founding of the Art Museum of Toronto and the Central School of Industrial Art and Design are also included. Fonds is comprised of the following series: 1. Minutebook 2. Transcribed minutes and other documents 3. Records of annual banquets and exhibitions 4. Club lists 5. Photographs 6. Replies to dinner invitations 7. Scrapbooks/press clippings 8. Bills and receipts 9. Cash book 10. Records of club dissolution 11. Notes on a Toronto art school 12. Miscellaneous papers 13. Correspondence (Edgar J. Stone collection)

Canadian Art Club (Toronto, Ont.)

Edmund Morris fonds

  • LA.SC007
  • Fonds
  • 1897-1913

Fonds consists chiefly of correspondence to Edmund Morris as an artist and as secretary of the Canadian Art Club, Toronto (extant 1907-1915). Materials relating to the art club were received predominantly between 1906 and 1913 and deal with the membership of the club, with artworks and with art publications. Correspondents include artists Peleg Franklin Brownell, Edmond Dyonnet, Clarence Gagnon, James Kerr-Lawson, Ernest Lawson, James Wilson Morrice, Alexander Phimister Proctor, Marc-Aurèle de Foy Suzor-Côté, Horatio Walker, Homer Ransford Watson and poet Duncan Campbell Scott. Also included are letters written by Edmund Morris himself and a few received by other members of the art club. The approximately 800 items were originally in two letter-binders. Although most of the items are letters, the fonds also comprises exhibition notices, invitations, newspaper and journal articles, lists of artists and artworks, price lists, illustrations, prospectuses, lists of subscribers for memorials (etc.), invoices, as well as miscellaneous items such as visiting cards, envelopes, an abstract of land title, a telegram and a cancelled cheque.

Morris, Edmund