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[Image Transfer Samples]

File consists of samples of prints, predominantly image transfers created through various processes such as by heat or solvent, on a variety of materials, including paper, cardboard, fabric, and metal. Also includes instructional documents for using Iron-on Transfer Paper and 8 skeletonized leaves, which were used as supplies during Astman's teaching.

Expirimental Imagery + Process

File consists of a notebook of students' photographic works and portraits, primarily in the form of photographic strips attached to paper, created for one of Astman's courses at OCAD U (previously the OCA) during the 1970s. Some pages are bound in the notebook and others are loose and dispersed throughout its pages. Also includes correspondence with Alan Gabay (former student), recalling the course.

[OCAD U ID Card]

File consists of Astman's photo ID card for OCAD U, attached to a fabric lanyard. A coin on a key ring is also attached to the lanyard.

Acetone

File consists of image transfer prints on a variety of materials including paper, a copper plate, acrylic sheets, and a piece of fabric. Also includes a visual aid regarding acetone image transfers, which contain multiple small examples of image transfers alongside the graphic material used to create the transfer and notes describing the steps taken. Prints show the results of a variety of image transfer processes, such as acetone transfers, and were used by Astman in teaching related to this process and technique.

[Polaroid Creative Techniques]

File consists of instructional and guide booklets, brochures, and related documents regarding creative techniques for using and manipulating polaroid film and creating image transfers. Also includes an invitation to the opening reception for the exhibition, Barbara Astman: Revisiting Red, as well as an emulsion transfer on aluminized paper, a polaroid image in a frame reading "got milk?" along the bottom, and two skeletonized leaves that were used by Astman in photographs.

Polaroid Collage - Peeling Apart Polaroids

File consists of collages, Polaroid photographs and transparencies, newspaper and magazine clippings, and other paper ephemera and graphic material used by Astman as collage elements, such as printouts and photocopies. Some graphic material has been taped together and cut into various shapes, or scraped and scratched to form collage and overlay components. Also includes an instructional printout from Polaroid's website regarding tips and techniques for using Polaroid P/N films.

Polaroid Wet Transfer

File consists of Polaroid prints and image transfers, predominantly emulsion lifts, showing the results of a wet image transfer process. Includes multiple transferes of the same image of a woman facing away from the camera, which Astman also used in a separate artwork series. One of the image transfers is on a glass plate, which Astman

Photo Decals

File consists of "The Deadline" (1996), a comic created by Helene Astrom (Contemporary Photography Department at OCAD), a production still from Blackmail (1929), directed by Alfred Hitchcock, two emulsion transfers and instructional documents regarding image transfers.

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