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Series consists of documents relating to John Boyle’s involvement with the Niagara Artists’ Company (NAC), including minutes of meetings, financial statements, mailing lists, information circulars, correspondence, notes, and drafts of speeches. Files are arranged in approximate chronological order. Series also includes three pencil sketches by John Boyle.

Series consists of correspondence and related documentation concerning art sales and exhibition loans, participation in panels and artist-in-residence programmes, and published writings; press clippings; grant applications; and other material. Filed together chronologically by the artist and titled “studio business”.

Series consists of drafts and manuscripts for John Boyle’s novels The Gergovnians, No Angel Came [a.k.a. The Provincial Wanderer], and The Peregrinations and Permutations of a Young Artist in Canada. Series also contains a draft of a short essay on Canada as a colony.

Series consists of computer printout lists of art works with descriptive data, compiled by Gretchen McCulloch and curator Barry Lord for exhibition “John Boyle: A Retrospective” at the London Regional Art and Historical Museum (now Museum London).

Series consists of multiples, preparatory works, prints and decorative art items in several media by John Boyle.

Series consists primarily of commercially printed posters for John Boyle’s solo and group exhibitions. Series also includes a poster designed by Boyle for the Blyth Festival, and a poster for Boyle’s play Canadian Heroes Series at Theatre Passe Muraille in Toronto.

Collection consists of 15 letters written from Carl Schaefer to Jack Martin, with illustrated envelopes by Schaefer. Techniques include ink and watercolour drawing, with collage elements on paper. The collection is arranged chronologically in a single series.

Fonds consists chiefly of correspondence to Douglas Duncan as director of the Picture Loan Society in Toronto between 1936 and 1966, and his personal correspondence with Norman Endicott and their friends in common during the 1920s. Also included are records of Canadian artist David Milne from the 1950s and British painter Robert ‘Scottie’ Wilson from about 1945 to 1970; both were clients of Douglas Duncan and friends of Norman Endicott. Fonds is comprised of the following series: 1. Picture Loan Society correspondence 2. Duncan-Endicott correspondence 3. David Milne records 4. Scottie Wilson records

2 letters with lists of artworks and prices

3 letters