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9 letters to Oxford from Toronto;1 postcard; 1 photograph of a man and woman

2 letters, one undated in Milne's hand and one (July 7, 1953 from Bancroft, Ont.) dictated and signed; 1 radio script (6 p.); 10 photographs of Milne in his studio with artworks, in envelope addressed to Douglas Duncan with notation on envelope "Wyb's set"

Notices of exhibitions, price lists or related materials; an essay or script (4 p.); handwritten notes on artworks; poem (printed, 1 p.); 1 photograph of the artist (1965?)

9 letters (1 to Betty Endicott) in various hands, signed by Scottie Wilson;4 note-cards with greetings in various hands, signed by Scottie Wilson;3 letters from Mervyn Levy of The Studio magazine (London, England);1 letter from Sir Roland Penrose

Articles, etc. from newspapers, magazines.Included are 2 copies of the June, 1946 issue of Horizon, with reproductions of pen drawings by Scottie Wilson.

Fonds consists of a notebook commenced by Anna Belle Wing Kindlund in 1895, in which she recorded information on works of art and architectural monuments (chiefly European), with thumbnail-sized albumen prints of many of the items and occasional ink sketches. The notebook has alphabetical index tabs, and its entries are alphabetical according to city. The inscription on the frontispiece reads “Anna Belle Wing-B.S. ‘95”. The fonds is arranged in a single series.

Fonds consists of the administrative records of Galerie Scollard and Factory 77 accumulated by Kenneth Lund. Also includes records kept by Lund related to his involvement with arts organizations and Eastern Canada artists and galleries. Fonds is comprised of the following series: 1. Galerie Scollard/Factory 77 records 2. Kenneth Lund’s files

Fonds consists of a household inventory of antique furniture, china, art, coins, military artifacts, geological and natural history specimens, rare books and family documents owned by Robert William Geary and family of Niagara Falls, Ontario. The inventory was commenced by Geary on January 24, 1913 and annotated by him until 1933.

Fonds includes an album (disbound) containing 45 photographs of paintings and prints restored by Rawbon, with a typed description of the "Rawbon Process" signed and dated, 1921. Collectors and collections mentioned include: Elliott W. Atkins, Toronto; Hôtel Dieu, Kingston; Major Kenneth C. Macpherson, Ottawa; Col. W. O’Brien, Shanty Bay; D.A. Story, Halifax; R.E. Cooper, Victoria; A.J. Gough, Toronto; C.S. Gzowski, Toronto; Mrs. John Small, Toronto; Henry O’Brien, K.C., Toronto; Walker House, Toronto. Fonds also includes a notebook containing a list of “Canadian Artists: Members of the Royal Canadian Academy and The Ontario Society of Artists”, September 1922. The back pages of the notebook contain records of sales of “Oxford” and “Lusterize” polish formulas, and of free sample canvas stretchers sent out to clients. Fonds also includes 14 prizes and diplomas won in art and photography competitions at fairs in southern Ontario (1874-1887); 2 photographs of J. Loxton Rawbon; notes on art restoration methods; correspondence and testimonials; and press clippings related to Rawbon’s career.

Fonds includes an album (disbound) containing 45 photographs of paintings and prints restored by Rawbon, with a typed description of the "Rawbon Process" signed and dated, 1921. Collectors and collections mentioned include: Elliott W. Atkins, Toronto; Hôtel Dieu, Kingston; Major Kenneth C. Macpherson, Ottawa; Col. W. O’Brien, Shanty Bay; D.A. Story, Halifax; R.E. Cooper, Victoria; A.J. Gough, Toronto; C.S. Gzowski, Toronto; Mrs. John Small, Toronto; Henry O’Brien, K.C., Toronto; Walker House, Toronto. Fonds also includes a notebook containing a list of “Canadian Artists: Members of the Royal Canadian Academy and The Ontario Society of Artists”, September 1922. The back pages of the notebook contain records of sales of “Oxford” and “Lusterize” polish formulas, and of free sample canvas stretchers sent out to clients. Fonds also includes 14 prizes and diplomas won in art and photography competitions at fairs in southern Ontario (1874-1887); 2 photographs of J. Loxton Rawbon; notes on art restoration methods; correspondence and testimonials; and press clippings related to Rawbon’s career.