Showing 65 results

File consists of textual records relating mainly to grant and bursary applications, as well as correspondence. Included is a 1985 letter to Favro from Michael Mundhenk, a 1967 application for a Canada Council Arts Bursary, 2 invitations to "Track Records: Trains and Contemporary Photography" at Oakville Galleries, a note from the 2020 Gallery, an insurance memo from 1998 from AON Reed Stenhouse Inc., 3 pages relating to "Sproing (1965),” a 1991 Grant application, a handwritten note to the Arts Awards Service, a handwritten project cost report, a report noting that a grant allowed Favro to complete specific projects, a typed project cost report from 1991, a request for a third installment to the Arts Awards Service from 1992, and an empty envelope.

File consists of textual records relating to Favro's 1983-84 Retrospective exhibition, largely comprised of press and promotional materials. It includes Greg Curncoe's opening remarks a the 1984 opening of the exhibition at the National Gallery, a 1984 Art Gallery of Windsor bulletin, a 1983 issue of Artmagazine 66, a 1983 issue of The Art Post and a photocopy of the Art Post article on Favro's exhibition, clippings from a 1983 issue of the Globe and Mail, advertisements for the exhibition by the AGO, two copies of a review for the exhibition from a 1983 issue of The Gallery, an invitation to the Special Press Preview for Murray Favro: A Retrospective, a note to Marie Flemming from William J. Withrow regarding the opening of the Favro exhibition, a 2-page press release for the exhibition from the AGO, two printouts of reviews for the exhibition in French, and two invitations to the Members' Preview of Murray Favro: A Retrospective at the AGO.

File consists of approximately 30 pages of textual records. Included are 13 pages of hand-drawn circuitry diagrams and notes for a "Digital Identification Unit (DIU)." There are also approximately 14 pages of handwritten notes covering a variety of Favro's thoughts and ideas, including those about technical progression, knowledge and intelligence, patents, and more. There is also a legend of symbols concerning "Wing sections and characteristics." Lastly, also included is a letter from Alvin Balkind, AGO Curator of Contemporary Art, to Favro, dated 8 August 1973 regarding a possible acquisition, a handwritten draft of Favro’s reply, and 1 page of questions for a patent attorney.

File consists of approximately 49 loose pages of notes and writings, which are undated but possibly from the 1970s. The writings cover a range of topics, and are not all titled, but some examples from pages that are titled include "2nd Look at Invention," "Myths, Illusions, and Social Workings," "Lets all get Liberated," "Evolution [machine] Cultural and Biological," "Anthropology," "Exhibition," "Invention," "Invention and art," "Passive Transmitter," "A Science Fiction Outline," "Flying Lessons," "Meeting of Media," "Dynamic View of the Machine," "Perpetual Motion Machine," and "My Work."

File consists of approximately 72 loose papers, largely undated, with Favro's handwritten notes, writings and sketches. Also included are some photocopies of pages, possibly from a textbook, including a page of definitions, a page from a journal article about frequencies, two pages about the Aeolian Harp, and a page about audio devices. Also included are 4 pages from a 1964 issue of "Science and Mechanics," 3 pages of an article titled "Singing Louver," and a pamphlet of technical data and circuitry information. The writings and sketches cover a range of topics, but broadly relate to technical and mechanical projects, including details about a "teletype" project, an engine project, circuitry diagrams and sketches, thermal electricity, and a passive transmitter.

File consists of approximately 37 loose papers with typed and handwritten notes, as well as 1 B&W photograph printed on paper of the Nihilist Spasm Band. The writings include a draft of an article titled "The Rise and Fall of a Technology (1973)," "The 4th Level of Machines," "the concretization of Functioning," "Hypothetical engine #2," a diagram for a possible project called "Sound Optics," a list of topics to study "for acoustic optics," a movie idea from 1971, a draft of a letter to Manfred Schnechenburger, a draft of an "Explanation about Work and Intentions," a page of typed writing titled "Synthetic (1973)," notes on "Saw Tooth Evolution", a list of "Works to be Completed 1975," and some pages of notes relating to a "Hypothetical Chessboard" dated to July 1974.

File consists of approximately 44 pages of textual records, mainly comprised of notes, sketches and diagrams relating to a variety of Favro's ideas and projects. These include a sketch of an aircraft, a note titled "Dream about electronics" from 1976, a list of ideas from 1972, notes and sketches related to an undefined projection project, a sketch of a "Dipy-Bird Engine," a "One Element Turbo-Jet Engine," and notes for cutting tools. There are also notes, sketches and diagrams relating to a "Basic Machine Shop," a "Wind Powered Sculpture," metal working, and some undefined machinery project(s). Also included is 1 page of a handwritten draft titled "Story: Science Fiction: The inventor."

File consists of 1 undated duotang notebook of papers with Favro's notes, from approximately the 1960s-1970s. The topics discussed in the pages include, "A Critical General Analysis of Greg Curncoe - works from his studio windows," "Anti-Americanism," Favro's thoughts on articles from the morning paper, an "Analysis of Ron's Technology," "Visit to Toronto," "English Teacher I Remember," "Theory of Bugs for Brains," "Mark in the Morning at 1 year old," a draft of an article criticism, and more.

File consists of 1 undated duotang notebook of papers with Favro's notes. Among the topics written about and sketched are recording devices, machines, farm machinery, salesmen, and a description of a show and associated expenses for the Carmen Lamanna Gallery involving projections.

File consists of 1 undated spiral notebook containing Favro's notes and a few sketches of animals towards the back of the notebook. Many of the pages have scribbles over the writings, possibly done by Favro's son, Mark. Not all of the writings have headlines, but those that do include, "Criticism of Science," "Against Fashion," and "No Critics Allowed." Also included is a draft of a letter for Carmen Lamanna regarding changes to a contact.