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File consists of approximately 64 pages of largely undated textual materials, mainly relating to a "Universal Projector" project. Circuit diagrams and handwritten notes make up the majority of the materials, as well as some photocopied pages containing instructions to build an "8080 microcomputer." Also included are some notes and sketches relating to a spiral windmill project, an ultrasonic lift, an ornithopter, a hang glider, an Aeolian harp, a tilt windmill, and a photography experiment.

File consists of textual records and graphic material. Includes approximately 16 pages of professional and personal correspondence, largely from the 1970s, a doctor's invoice from 1971, a Motorcycle insurance certificate, a Men's Canteen membership card, an invitation to a show opening at La Galerie de France from 1969, a 1969 bulletin for the London Public Library and Art Museum, 2 copies of a program for the 1969 Biennale in France, and a photocopy of a 1971 Globe and Mail article. Also included are approximately 40 pages of handwritten notes and sketches, covering a variety of topics and projects including a description of a possible projections show, a list of Favro's exhibitions up to 1971, problems on viewing films, and possible ideas for projects. Also included is a B&W photograph a of a desk and a postcard of Ibiza, Spain.

File consists of 14 pages of handwritten notes and sketches. The handwritten notes include "Projects planned for the 72-73 Application," July 1973 reflections on consciousness, philosophy and other ideas, and undated notes on "Inverse Universes" and other topics. File mainly contains materials from the early 1970s, with some undated materials.

File consists of textual records relating to Favro's work and projects from a range of dates, possibly largely from the 1970s. It includes a sketch of two cat collars, a variety of sketches of unidentified objects or components, possible instructions for computer programming or calculations, a list of the number of days Favro plans to allocate to specific projects, handwritten lists of daily tasks, and a 1968 contract with the National Gallery of Canada. Also includes a 1967 letter from the Ford Motor Company certifying employment, a 1968 letter from The University of Western Ontario, a postcard from Janey Hassan, 3 pages of correspondence with the London Public Library and Art Museum from 1971 from Greg Curnoe, and a 1970 letter from Carmen Lamanna.

File consists of 1 exercise notebook in a duotang folder as well as a card for a 1977 Favro exhibition titled "Airshow" at the Carmen Lamanna Gallery. "67-68 season Show at 2020 Gallery Plans" is written on the front of the exercise book.

File consists of approximately 32 loose pages of Favro's journal writings, beginning in January 1977. Also included is a photocopy of the floor plan for the Carmen Lamanna Gallery, 3 printed pages about turbines, and a photocopy of information about circuits. One group of papers is labeled "Ideas to be worked on."

File consists of 13 pages of textual records, comprised of a 1977 letter sent by Carmen Lamanna to Dennit Tourbin, the editor of Carot regarding a recent article, “L’affaire Lamanna.” Also includes a manuscript of the response to the article which Lamanna requests be published in the next issue of Carot.

File consists of approximately 51 loose pages of notes, which has "1972-1977 Miscelaneous Writtings [sic]" written on the first page. There are a variety of topics covered and projects by the writings, including the relationship between art and science, what Favro referred to as "The Myth Process," desensitization, magic, the individual, the centralization of technical knowledge, the Blacksmiths Jet Engine, the migration of functions in machines, knowledge and intelligence, and more.

File consists of textual records pertaining mainly to Favro’s activities between 1970-1975, and especially regarding flight and aircrafts. Includes a letter from Carmen Lamanna to Dr. Manfred Schneckenburger regarding "Projekt '74," a letter from Favro to the Experimental Aircraft Association, and a letter from the Auckland City Art Gallery, New Zealand. It also includes a printed 30-page article titled, “A Computer-Based Alternative for Scientific and Technical Publishing,” a 1974 invitation to an exhibition opening featuring Favro's work at the Gallery of the London Public Library and Art Museum, and approximately 20 pages of notes and sketches from 1971-72 detailing possible projects and ideas for a project titled "Flight" and a number of other undefined projects.

File consists of 29 pages of sketches, installation drawings and instructions for “Synthetic Lake 1972/73” and “Van Gogh’s Room (1973/74).”