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Donald Gillies - Dennis Burton collection

  • LA.SC175
  • Collection
  • 1960-2003

Collection consists of correspondence received by Gillies from Burton over the course of their friendship, including a few informal treatises written by Burton on various aspects of the visual arts. It includes two collage works by Burton.

Gillies, Donald J.

Leslie Mezei fonds

  • LA.SC169
  • Fonds
  • 1962-2022

Fonds consists of a set of published writings on Leslie Mezei's work in computer art; the typescript and accompanying photographic illustrations of his book Computer Art: An International Portfolio; and digitized images and films that document his practice.

Mezei, Leslie

Peggy Gale fonds

  • LA.SC151
  • Fonds
  • 1963-2016

Fonds consists of documentation of Peggy Gale’s career as an independent writer and curator in Canada with projects in the US, Europe, Brazil, and Japan. Accumulated content includes records of curated exhibitions, publications, photographs and slides, ephemera, essays, biographical information on artists, Gale’s research notes from various projects, written correspondence with artists and artist run centres, and audio recordings of lectures and interviews.

Gale, Peggy

Jessie Oonark collection

  • LA.SC127
  • Collection
  • ca. 1965

Collection consists of three drawings by Jessie Oonark on mimeograph stencil sheets. Items are arranged in a single series.

Oonark, Jessie

Michael Bidner fonds

  • LA.SC033
  • Fonds
  • 1965-1989

Fonds consists of personal and professional records of Michael Bidner, primarily created during the mid-1970s to 1989. Files pertain to various projects during Bidner’s artistic career and include working files, artwork, the artist’s publications, correspondence, ephemera, photographs and slides.

Bidner, Michael

Baldwin Street Gallery fonds

  • LA.SC174
  • Fonds
  • 1968-2018

Fonds consists of material documenting the administrative and exhibition functions of Baldwin Street Gallery, including correspondence, the records of gallery director Laura Jones, grant applications, research files, press, and the gallery's published material such as newsletters, exhibition invitations, posters, and programmes.

Baldwin Street Gallery

A Space fonds

  • LA.SC059
  • Fonds
  • [ca. 1970]-[ca. 1990]

Fonds consists of the administrative records of A Space Gallery from its founding until approximately 1990, including artist files, gallery/organization files, grant applications, proposals received, and other administrative records.

A Space

Colette Whiten fonds

  • LA.SC120
  • Fonds
  • 1970-2009

Fonds consists of documentation of Colette Whiten’s artistic career, including records of exhibitions, commissions, grants, awards, and experiments with materials. Documentation of Whiten’s public art collaborations with Paul Kipps is included. Fonds also includes records of Whiten’s teaching activity at several different institutions, including the Ontario College of Art.
Contains series:

  1. Colette Whiten’s files
  2. Teaching files
  3. Documentation of art works
  4. Project boxes
  5. Experimental work and material samples
  6. Publicity material
  7. Personal / other photo documentation

Whiten, Colette

Anita Aarons collection

  • LA.SC156
  • Collection
  • 1970s-1980s

Collection consists of audio recordings of interviews carried out by Anita Aarons with a number of Canadian art world figures active in the 1970s and 1980s, including Ron Bloore, Graham Coughtry, Dorothy Cameron, Guido Molinari, Yves Gaucher, Ted Bieler, Gordon Rayner and Jack Pollock.

Aarons, Anita

Pamela Harris Spence Bay collection

  • LA.SC126
  • Collection
  • 1971-2012, predominantly 1972-1976

The collection comprises archival material related to Harris’s photographic work from her time in Spence Bay, as well as that of the darkroom project she conducted while living there. The archival collection consists of Pamela Harris’ original contact sheets; her active and passive correspondence; documentation, publicity and text panels related to her exhibitions of Spence Bay photographs; audio recordings of interviews with people she met and worked with in Spence Bay; and related materials from the 1973 Women’s Kit. It includes the 28 b&w photographs taken by the Inuit women participants of the concurrent natural dyes workshop and the related text panels exhibited at the Artic Women’s Craft Conference and TD Centre in 1974, as well as documentation of their work in the Darkroom Project and the resulting exhibition. It also includes a questionnaire designed and distributed by Pamela Harris and colleague Paul Carter to other documentary photographers during this same time period.

Harris, Pamela

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