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Fonds consists of research materials generated in preparation for Southcott's book The Sound of the Drum: The Sacred Art of the Anishnabec (Erin, Ontario: Boston Mills Press, 1984). The following artists are documented in the fonds: Allen Angeconeb, Del Ashkewe, Carl Beam, Leland Bell, Benjamin Chee Chee, Shirley D. Cheechoo, Blake Debassige, Noel Ducharme , Don Ense, Rhonda Franks, Ril Gaiashk, Tom Hill, Robert Houle, Alex Janvier, Francis Kagige, Goyce Kakegamic, Morley Kakepetum, Eleanor Kanasawe, Josh Kakegamic, Norman Knott, John Laford, Mel Madahbee, Norval Morrisseau, Hugh Mckenzie, Johnson Meekis, Daphne Odjig, Martin Panamick, Carl Ray, Tim Restoule, Michael Robinson, Allen Sapp, James Simon, Arthur Shilling, Roy Thomas, Randy Trudeau, and Saul Williams.

Collection consists of audio recordings of interviews carried out by Anita Aarons with a number of Canadian art world figures active in the 1970s and 1980s, including Ron Bloore, Graham Coughtry, Dorothy Cameron, Guido Molinari, Yves Gaucher, Ted Bieler, Gordon Rayner and Jack Pollock.

Fonds consists of personal and professional records of Michael Bidner, primarily created during the mid-1970s to 1989. Files pertain to various projects during Bidner’s artistic career and include working files, artwork, the artist’s publications, correspondence, ephemera, photographs and slides.

Fonds consists of personal and professional records of Gershon Iskowitz, including photographic documentation of his family and early life, self and studio, and works of art; publicity material including newspaper clippings about his career; personal artefacts such as identity documents; a small amount of personal correspondence; and a condolence book signed at his memorial service.
Contains series:

1. Photographs
2. Publicity material
3. Identity documents
4. Personal correspondence and notes
5. Writings about the artist
6. Sketch and notes for Northern Lights Septet #3
7. Audiovisual records
8. Artist’s palettes
9. Condolence book

Collection consists of video recordings containing footage of Robert Markle working on printmaking in Otis Tamasauskas' studio, shot by John Vainstein. Portions of the footage were included in the documentary Priceville Prints (1987).

Collection consists of an album of photographs of Florence Wyle’s sculptures; photos of Wyle, Illy Gepe, Frances Loring, and others; unattached photos and postcards of sculptures; a sketchbook; newspaper articles about Loring & Wyle; and other material.

The fonds consists chiefly of correspondence (professional and personal); diaries and address books, inventories; financial records; photographs of artworks and family; and miscellaneous papers.

Fonds consists of materials created, received, or collected by members of the Fairlie family. This includes textual records, personal and professional correspondence, financial and legal documents, newspapers and articles, publications, posters and promotional material from Alan’s filmmaking career, as well as photographic material such as studio portraits, film stills, and a number of negatives depicting travel destinations and events.

Collection consists of a single series of copy prints (of paintings, drawings and prints), and photos of sculptures and other works of art and architecture, chiefly by 19th- and 20th-century Canadian artists and architects, arranged in alphabetical order by surname, with photos of works by unknown artists at the end of the series. The collection comprises 646 artists and architects, and includes some reproductions of works of art, chiefly clippings. Many of the works of art reproduced in the photographs are in the permanent collection of the Art Gallery of Ontario.

Fonds consists of administrative records of the Pollock Gallery in Toronto during the period 1967–1982; gallery correspondence; files on gallery artists and others; photographs of sculptors Frances Loring and Florence Wyle; records of gallery owner Jack Pollock; and material related to gallery artist Norval Morrisseau and to a book about him co-written by Jack Pollock.