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Emily Elliott collection
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Brunelleschi

File contains 3 magazine covers by Umberto Brunelleschi (1879-1949) that include 2 covers not mounted in mats from Femina, 15 Mar. 1913 and Harper's bazar, Dec. 1916, and 1 matted cover from Harper's bazar, Aug. 1914.

Charles Livingston Bull

File contains 2 magazine covers by Charles Livingston Bull (1874-1932) from The country gentleman, Dec. 3 1921 and The new country life, June 1918. Illustrations by this artist will also be found in series 4 (Illustrations from publications for children).

Margaret Bull

File contains 2 magazine covers by Margaret Benedict Bull (ca. 1887-1980) from Vogue, Jan. 15 1915 and July 15 1915.

P. Brissaud

File contains 5 magazine covers (including duplicates) by Pierre Brissaud (1885-1964) that include 3 covers not mounted in mats from Vogue, Jan. 1 1923 (also signed by George Lepape), Feb. 15 1923 and Apr. 15 1924, and 2 matted covers from Vogue, Jan. 1 1923 and Mar. 15 1924.

Benito

File contains 2 magazine covers signed with his monogram by Eduardo Garc

George Barbier

File contains 4 magazine covers by Georges Barbier (1882-1932) that include 2 covers not mounted in mats from Harper's bazar, Apr. 1914 and June 1914, and 2 matted covers from Harper's bazar, Nov. 1914 and Feb. 1916.

Emily Elliott collection

  • LA.SC004
  • Collection
  • 1861-1925

Collection consists of illustrations clipped from fashion magazines, general-interest periodicals, children’s
picture books and other illustrated books, bringing together the work of over 275 illustrators published
between the 1860s and the 1920s, chiefly in the United States, Britain and Canada.
Fashion magazine covers in series 1 featuring imaginative and extravagant costumes are full colour
lithographs, as are most of the sheets in series 4 (Illustrations from publications for children). Illustrations
in series 2 (Book and magazine illustrations) are largely achromatic images depicting events in fictional
and poetic works, and include printed black-and-white wood engravings. Many folders contain a single
sheet of illustration by one artist, while series 3 (Gustave Doré illustrations) consists of more than two
hundred published wood engravings by prolific French artist Gustave Doré. The collection of over 3000
items offers a perspective on the era of illustration by graphic artists before it was largely superseded
(except in children’s literature) by photography.

Elliott, Emily Louise (Orr)

Illustrations from publications for children

Series comprises sheets of illustrations clipped chiefly from early-20th-century children’s books and magazines and from material intended for children or picturing children in periodicals such as Collier’s, Country life and The delineator. The illustrations accompany fairy tales and children’s stories, depict children at play, or portray animals. Series consists of the work of 62 identified artists, including Frank Adams, Frank Godwin, George Vernon Stokes, Jessie Willcox Smith and Blanche Fisher Wright. Illustrations are also taken from The child’s natural history (Boston : DeWolf Fiske, [190-?]) with pictures by unidentified artists, and Favourite animals (London : Dean & Son, [1905?]) with pictures by Stanley Berkeley (1855–1909) and other artists not named. Illustrations by Jessie Willcox Smith include 3 magazine covers with images of children from Good housekeeping, Jan. 1918 and Jan. 1919, and The ladies’ home journal, Nov. 1912.
The number of items per illustrator extends from a single sheet in the case of 25 of the artists to the more numerous illustrations (47) by Frank Adams. Many sheets are illustrated on both sides. The earliest illustrations are probably those by Thomas Landseer from the 1880s and the latest by Frank Godwin (1925).

Elliott, Emily Louise (Orr)

Gustave Doré illustrations

Series comprises approximately 240 printed sheets of black-and-white and greyscale wood engravings (prints) from drawings by French printmaker, painter and sculptor Gustave Doré (1832–1883). Perhaps the oldest sheets of illustrations in this series are in a partial, disbound copy of Doré’s Two hundred sketches humorous and grotesque, while other leaves with images are from The beautiful story by James William Buel (1849–1920), and from editions of Inferno by Dante Alighieri (1235–1321) and Don Quixote by Miguel de Cervantes Saavedra (1547–1616).

Elliott, Emily Louise (Orr)

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