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Series consists of computer printout lists of art works with descriptive data, compiled by Gretchen McCulloch and curator Barry Lord for exhibition “John Boyle: A Retrospective” at the London Regional Art and Historical Museum (now Museum London).

Series consists of lists of art works, correspondence, mailing lists and press clippings relating to a number of exhibitions of Robert Markle’s work held chiefly at The Isaacs Gallery and at other locations in Ontario. Material has been filed according to exhibition by Robert Markle.

Series comprises of Artistamp correspondence and samples of mail art between Michael Bidner and other artists around the world. Compiled alphabetically by artist name, materials have been organized by Bidner into ten binders as well as loose paper files. These records were organized by Bidner as a file system for each mail-artist which included contact information, biographical and professional background, correspondence, and stamp art (original or photocopy versions). Files usually include a copy of a typed letter Bidner sent to each artist outlining his Artistamp catalogue project and call for submission. These materials also include published articles, newspaper clippings, postcards, flyers, and a small number of slides.

Series comprises Jean Blodgett’s research photographs of Inuit objects in museum collections in Canada, the USA, Great Britain and Europe. Photographs were originally contained in three-ring binders and have been rehoused in folders for reasons of preservation and compact storage.

Series consists of correspondence between the Baldwin Street Gallery and photographers, curators, other galleries, as well as some personal letters received and sent by Laura Jones and John Phillips.

Series includes items of personal correspondence such as greeting cards and get-well cards; miscellaneous notes and pieces of paper presumably gathered from Iskowitz’s residence following his death; one address book.

Series consists of a condolence book from Benjamin’s Park Memorial Chapel, with signatures of mourners from the memorial on January 26, 1988.

Series consists of a group of palettes gathered from the artist’s studio following his death.

Series consists of personal items belonging to Robert Markle, including his artist’s palette; a card wallet; and two passports.

Series consists of correspondence, drafts of speeches, press clippings, CVs, contents of a binder containing records of Mrs. Zacks’ personal art collection, membership certificates and material relating to her honourary doctorate and Order of Canada. Most files were specifically labeled as the property of Mrs. Zacks; the series also contains some files that fall outside the boundaries of the other series. These include a file of miscellaneous donations made by the Zacks Foundation, a file relating to the material in the Samuel J. Zacks fonds at the National Library and Archives of Canada and magazine articles about Mrs. Zacks. The files have been grouped together by subject, with one oversize box at the end