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Gertrude Spurr Cutts conservation notebook

  • LA.SC128
  • Discrete item
  • [192-]

Item contains handwritten instructions on how to restore paintings, with recipes for cleaning compounds and canvas preparations, along with brief records of work done by Gertrude Spurr Cutts, perhaps in Port Perry, Ont. in the 1920s and 1930s for several named clients. Records in the notebook include the titles and dimensions of the paintings restored, with amounts charged. The 1845 edition of Henry Mogford’s Hand-book for the preservation of pictures (London: Winsor and Newton) is cited as a source of guidance on paintings restoration.

Cutts, Gertrude Spurr

NJE to DMD

11 letters; 3 postcards to Paris (except 1 to Plymouth, England) from Oxford, London, Cherbourg, La Roche-en-Ardenne (Belgium) and Toronto

M.O. Hammond collection

  • LA.SC032
  • Collection
  • 1905-[192-]

Collection consists of early-20th-century photographs of Canadian historical figures and Canadian public monuments taken by M.O. Hammond and others. Portrait photograph subjects include Canadian poets Bliss Carman and Charles G.D. Roberts and artists Walter S. Allward, E.J. Dinsmore and Charles Eduard Huot. The collection also includes a copy print of a drawing of the first director of the National Gallery of Canada and studio portraits from 1905 of Canadan prime minister Robert Laird Borden and his wife Laura Borden. The memorials photographed are chiefly by British-Canadian sculptor Alfred Howell, with a photo of a statue of a soldier by Emanuel Hahn. Some photographs in the collection are by M.O. Hammond and the studio portraits are credited to Pittaway Studio (Ottawa).

Hammond, M.O. (Melvin Ormond)

Drawings for "The Passion"

Series contains preparatory pencil drawings for ‘The Passion’ series. Munn commonly used both sides of her sheets of paper and the numbers given are for the number of pages. Some contain a brief notation or number. She apparently combined and rearranged the small drawings; some are pasted composites, and others contain pin-holes. Most sheets contain a single figure with variations in stance, usually involving points or dots, suggesting that she was using an angle to work out geometrical structure. The sheer quantity indicates the extraordinary effort involved in the creation of her final drawings. Series also contains 1 ink and brush drawing, and one charcoal drawing. None are dated.

Munn, Kathleen Jean

[Family photograph]

One framed photograph of Iskowitz's family (parents and siblings). Date is estimated based on children's apparent age

Some designs for H.D. Thoreau’s Walden

Series comprises a portfolio of ink drawings made in Toronto in 1933 for Thoreau MacDonald’s planned illustrated edition of Henry David Thoreau’s Walden (originally published: Boston: Ticknor and Fields, 1854), and a volume (booklet) of pencil sketches of the layouts of the book. A note pasted inside the front cover of the portfolio, written by MacDonald, indicates the scope of the project, which was to have
included some 60 designs for the book.

Macdonald, Thoreau

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