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Archival description
Fonds
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Greg Curnoe fonds

  • LA.SC066
  • Fonds
  • 1936-1996

Fonds consists of the personal and professional records of Greg Curnoe. It includes such textual documentation as writing files; correspondence; project files including grant applications, records of the National Gallery retrospective exhibition, and Curnoe’s published writings; notebooks and journals kept by the artist, including his cycling journals; and a number of bookworks. Visual material includes numerous sketchbooks and works on paper as well as extensive photographic documentation of Curnoe’s studio, social and professional activities, exhibitions, family life, and art work. Also included are printing blocks and rubber stamps used in Curnoe’s art making. The fonds contains audio and audiovisual material which records important events and ideas in Curnoe’s life. The fonds includes two pop culture collections relating closely to Curnoe’s art practice: his collection of buttons and his collection of regional pop bottles. Titles not in brackets follow Curnoe’s original folder names. Fonds is comprised of the following series: 1. Writings files 2. Correspondence files 3. Organization and project files 4. Publications files 5. Research and subject files 6. National Gallery of Canada retrospective exhibition records 7. Deeds/Abstracts and Deeds/Nations files 8. Grant applications 9. Financial records 10. Inventories of art works 11. Publicity material 12. Cycling journals 13. Notebooks and diaries 14. Sketchbooks 15. Bookworks 16. Printing plates 17. Rubber stamps 18. Buttons collection 19. Pop bottle collection 20. Works on paper 21. Ephemera / found objects 22. Photographs 23. Audio cassettes 24. Video recordings 25. Clothing and personal effects 26. Sheila Curnoe’s files 27. Published material

Curnoe, Greg

J.S. McLean fonds

  • LA.SC048
  • Fonds
  • 1936-1956

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

McLean, James Stanley

Ann Davis-Christiane Pflug collection

  • LA.SC081
  • Fonds
  • 1984-1989

Collection consists of a series of recorded interviews gathered or commissioned by Ann Davis in the course of her research for her biographical work Somewhere Waiting: The Life and Art of Christiane Pflug. Several interviews were conducted by Ann Davis’ assistant, Elizabeth Schwaiger, who is a professional translator. The subjects of the interviews are people with whom Christiane had contact with throughout her life. For the most part, the interviews focus on the interviewees’ relationship to Christiane and/or her family. The collection also contains older recordings with the voice of Christiane herself. Full or partial transcripts are included for many of the recorded interviews. Fonds is comprised of the following series: 1. Interviews conducted by Ann Davis 2. Interviews conducted by Elizabeth Schwaiger 3. Other source material for Somewhere Waiting

Davis, Ann

Goldwin Smith fonds

  • LA.SC001
  • Fonds
  • 1857-1910

Fonds consists of the contents of an autograph album, primarily consisting of letters received by Goldwin Smith from various correspondents throughout North America and Europe. The fonds also includes a few intact pages of the album with autographs.

Smith, Goldwin

Arthur Lismer and Marjorie Lismer Bridges fonds

  • LA.SC021
  • Fonds
  • 1899-1986

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.

Lismer, Arthur

John Faichney fonds

  • LA.SC111
  • Fonds
  • 1974-1985

Fonds consists of printed and manuscript material accumulated by John Faichney during his years as an artist involved in the KAA/CEAC collective. Publications originating with CEAC, issues of Canadian and international periodicals, posters, samples of letterhead, exhibition catalogues, the original typed manuscript of an international symposium, and book materials are included. Fonds is comprised of the following series: 1. Kensington Art Association and CEAC 2. Periodicals and books

Faichney, John

John Boyle fonds

  • LA.SC093
  • Fonds
  • [ca. 1960]-2000

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

Boyle, John B.

Jules Wegman collection

  • LA.SC107
  • Fonds
  • 1865-1867

The collection consists of 45 architectural drawings in ink and wash, comprising elevations and details of major Italian and German churches, probably drawn as student projects.

Wegman, Jules Frederic

Experiments in Art and Technology fonds

  • LA.SC022
  • Fonds
  • 1965-1977

Fonds consists of a set of documentation and publications assembled and distributed in multiple copies by Experiments in Art and Technology.

Klüver, Billy

Henry Sandham collection

  • LA.SC012
  • Fonds
  • 1881-[ca. 1890]

Collection consists of a four-volume set of proof engravings by Henry Sandham for his illustrations in Century Magazine and other publications. The engravings were assembled by the artist, who inscribed in ink on the title page of volume 1: “The only complete set of proofs of the engravings from Hy Sandham’s drawings for Century Magazine from 1881 to 1886. These proofs were printed from the blocks before they were electro-typed and cannot now be reproduced except by being engraved again. The cost of each print in this book was fifty cents. Hy. S.”

Sandham, Henry

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