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Series comprises of interviews with Paterson Ewen and others assembled in support of research for the 1996 exhibition Paterson Ewen: Earthly Weathers/Heavenly Skies.

Collection consists of research materials assembled by Matthew Teitelbaum and Ron Graham in preparation for the 1996 exhibition Paterson Ewen: Earthly Weathers/Heavenly Skies. Materials include audio recordings of interviews with Paterson Ewen and others, photographs and photocopies of photographs, interview transcripts, essays, newspaper articles, exhibition related files, and other miscellaneous research material.

Fonds consists of material produced by Pleasure Dome in Toronto for its programs of film and video exhibitions between 1989 and 2016, including press releases, clippings of notices and reviews, programming records with correspondence, and related material.

Item is a notebook used by Lucius O’Brien to record sales of his paintings year by year between 1882 and 1895, including names of purchasers and prices paid, both privately and at exhibitions. Notes in the journal also include income from art lessons. Beginning at the back of the journal on inverted pages (p. 94–[126]) are checklists of names of members of the Ontario Society of Artists and their addresses; with household and other notes.
Extracts from catalogues of art dealers and exhibitors and other material pasted into the journal include items from the Art Association of Montreal; Jno. B. Hall, M.D., Toronto; Thomas McLean’s Gallery in Haymarket, London; Matthews Brothers, Toronto; Dolman & Son Picture Frame Makers &c., London; W. Scott & Sons, Montreal; and the Palette Club, Toronto. Some leaves of pasted items have become detached.
Enclosures (loose) consist of a drawing of a sailing vessel, signed by the artist and dated 1882 (1 leaf); and a letter (1883) from J. Nathan, Burlington Gallery, London (1 leaf).

Fonds consists of Art Directors Club, Toronto official records, correspondence, records of club meetings, committee reports, membership records, exhibitions and awards dinner records, and other material.

Hand-crafted book of matches, the cover of which is made from two photographs of a group seated at a banquet table (perhaps at the 1972 Venice Biennale?)

Dating from the period of Iskowitz's art studies in Munich.

Portraits of Iskowitz by Lois Steen (1971), Tess Boudreau (1963), and Michel Lambeth (1961-62)

4 prints of art works from 1940s (2 concentration camp scenes, 2 portraits); 1 slide from 1961; 8 slides from 1974

Primarily images from Canada House and Art Gallery of Ontario exhibition openings. Two images of an unidentified gallery event, probably 1970s.