Showing 6076 results

Includes early images of artist with his work; images of artist and studio in 1980s (?) by Doron Rescheff studio; a series of portraits of the artist with a green parrot. See also oversized photo prints (box 3).

Most of the photographs in this file depict Kielce, Poland; date is estimated to be 1960s based on clothing and other image details. Family photographs include apparent vintage print and several copies of family group as above; image of Iskowitz's mother (?) and unidentified woman; unidentified family group apparently from 1910s. One photograph depicts men in concentration camp uniforms, Iskowitz not apparently among them.

One framed photograph of Iskowitz's family (parents and siblings). Date is estimated based on children's apparent age

Collection consists of raw footage and edited versions of Jim Shedden and Alexa Shaw’s documentary Michael Snow Up Close.

Fonds documents Elke Town’s activity in the visual arts in Toronto between the years 1974 and 1991. The files are related to various positions she held, beginning with A Space in 1974, and the curatorial work she carried out at the Art Gallery of Ontario, Gallery 76 at OCAD, Art Metropole and as an independent curator. There are also files related to her writing about visual art and video for numerous publications such as C Magazine, Vanguard, Parachute and Canadian Art.

Fonds consists of material documenting the Women's Art Resource Centre as a gallery and provider of educational programming, facilities, and research resources to support and promote women artists, including photographs, slides, exhibition promotion, workshop flyers, brochures, posters, newspaper clippings, correspondence, and publications.

Collection consists of General Idea ephemera including exhibition and performance invitations, postcards, flyers, tickets and similar items.

Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.

Fonds consists of materials created, received, or collected by members of the Fairlie family. This includes textual records, personal and professional correspondence, financial and legal documents, newspapers and articles, publications, posters and promotional material from Alan’s filmmaking career, as well as photographic material such as studio portraits, film stills, and a number of negatives depicting travel destinations and events.

Fonds consists of a single scrapbook compiled by the artist, containing press clippings, illustrations clipped from exhibition catalogues, and four photographs.