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Fonds consists of correspondence, newspaper and magazine clippings, lecture notes, newsletters, cards and party invitations, exhibition catalogues, reproductions of art works, passport, certificates, and photographs relating to L.A.C. Panton’s personal and professional life. The photographs range from portraits of his family in England to scenes that provided the basis of paintings, particularly the Nova Scotia coastline. Correspondence relates to his involvement in art societies and his community in North Toronto but does not include his family life. Letters were received from several members of the Group of Seven, Florence Wyle, Arthur Heming, Fred Brigden, G.A. Reid and many others. Clipping files relate both to his professional life and his interest in economics and current events. The fonds arrived at the archives in no discernible order; order has been imposed by the archivist to correspond as much as possible to a file listing found in the fonds. Fonds is comprised of the following series: L.A.C. Panton’s file arrangement Other files Photographs

Photographs in cardboard frames depicting the artist painting

Images of scenery and people.

Photograph in cardboard frame, labeled on the back of the frame, identifying 3 of the 8 people as Tom Stockdale Sr., Mrs. P, Mr. P.

Photographs mounted on paper, including portraits of Panton, scenery, the house at 65 St. Germaine Ave., and family photographs.

Images of the seashore.

File includes a typed list of works exhibited at Hart House, a gallery announcement from the Park Gallery and Hart House, typed material relating to a retrospective at the Arts and Letters Club, published material from the 'Panton and Hallam' exhibit, and a catalogue of the Art Gallery of Cobourg permanent collection. File also contains typed sheets with lists of canvases and sketches in private and public collections, and a typed list of membership in art societies.

Series contains photographs and negatives relating to the personal and private life of L.A.C. Panton. Material includes photographs of family and friends, photographs of his paintings, and photographs on which he based his paintings. The photographs have been arranged by subject matter and size. Very few of the photographs have been labeled or dated.

Including group portraits of Panton's unit at the Signal Training Depot, Ottawa 1916, and another group portrait from a Hamilton photographer; portraits of Panton painting, his induction at the RCA?, scenery and friends, and a photograph of York Wilson's portrait drawing.

File contains a 7-page layout for a proposed book on Panton, part of the Contemporary Canadian Artists Series from The Ryerson Press. The proposed author was C. Dudley Gaitskell. The book was never published.