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File consists of textual records relating to Favro's work and projects from a range of dates, possibly largely from the 1970s. It includes a sketch of two cat collars, a variety of sketches of unidentified objects or components, possible instructions for computer programming or calculations, a list of the number of days Favro plans to allocate to specific projects, handwritten lists of daily tasks, and a 1968 contract with the National Gallery of Canada. Also includes a 1967 letter from the Ford Motor Company certifying employment, a 1968 letter from The University of Western Ontario, a postcard from Janey Hassan, 3 pages of correspondence with the London Public Library and Art Museum from 1971 from Greg Curnoe, and a 1970 letter from Carmen Lamanna.

File consists of 14 pages of handwritten notes and sketches. The handwritten notes include "Projects planned for the 72-73 Application," July 1973 reflections on consciousness, philosophy and other ideas, and undated notes on "Inverse Universes" and other topics. File mainly contains materials from the early 1970s, with some undated materials.

File consists of textual records largely relating to the Nihilist Spasm Band's 1996 Japanese tour (originally scheduled for 1995). Includes an itinerary, related correspondence, a 1994 Alchemy Records Catalog, and a list of expenses and revenues for the Nihilist Spasm Band. Also included is a blank grant application to the Ontario Ministry of Culture, Tourism and Recreation and a checklist for an "Arts Abroad Programme" grant application. There are also 2 copies of a 2002 advertisement and booklet for “Construction Compulsion” at Oakville Galleries and a number of pages relating to the Forest City Gallery, including a “Structure and Objectives” document and a 1994 general ledger. Lastly, there are also 2 pages of hand-drawn sketches of an unidentified object and a circuitry diagram.

File consists of 3 different posters for the Nihilist Spasm Band’s 1999 Japanese tour printed on paper.

File consists of textual records relating mainly to grant and bursary applications, as well as correspondence. Included is a 1985 letter to Favro from Michael Mundhenk, a 1967 application for a Canada Council Arts Bursary, 2 invitations to "Track Records: Trains and Contemporary Photography" at Oakville Galleries, a note from the 2020 Gallery, an insurance memo from 1998 from AON Reed Stenhouse Inc., 3 pages relating to "Sproing (1965),” a 1991 Grant application, a handwritten note to the Arts Awards Service, a handwritten project cost report, a report noting that a grant allowed Favro to complete specific projects, a typed project cost report from 1991, a request for a third installment to the Arts Awards Service from 1992, and an empty envelope.

File consists of largely undated textual records, relating to both Favro and his son, Mark. Included is Mark Favro's 1973 library card and a 1973 letter from Lord Roberts School regarding parent volunteers for an activity. There is also a floorplan of the Carmen Lamanna Gallery, a photocopy of a camera supply catalogue page, a receipt from Trans Canada Couriers, an oversized folded piece of paper with hand-drawn floorplans for a Toronto building, 2 copies of “The Blank-Faced People of Iden Moor” by Robert Fones. Also includes a 2-page draft of a biography for Favro, a number of diagrams and notes for an undefined circuitry project, and photocopied instructions for operating a Rollei slide projector.

File consists of a 2-page schedule for February 1995, which Favro has annotated. It also includes an advertisement for a Rollei slide projector and 4 pages of undated handwritten notes.

File consists of textual records and graphic material, spanning from approximately 1963 to 2002. Included is an invitation to Favro and Judith Mae Byron’s wedding from 1968, a brochure for the Cape Spear National Historical Site, 2 copies of an invitation to the opening of "Murray Favro: A Retrospective" at the National Gallery of Canada from 1984, an invitation to the Members' Preview of "Murray Favro: A Retrospective" at the Art Gallery of Ontario, an invitation to "Murray Favro: Air Show" at the Carmen Lamanna Gallery, an invitation from the Canadian Ambassador in France, 9 postcards, a 1963 Vehicle/ Equipment Daily Work Ticket, a sketch on an aircraft, a small black notebook with notes and calculations from 1971, a program for “Kinotek” at the London Public Library and Art Museum, an invitation to a joint Murray Favro and Ron Martin exhibit at the McIntosh Gallery, a 1998 receipt for a delivery from the London Regional Art Gallery, a page of California Legislature from 1970, a number of pages of professional correspondence, a receipt from Fanshawe College, London, an advertisement and promotional booklet for the 2002 exhibit “Construction Compulsion” at Oakville Galleries, a Royal Canadian Academy of Arts bulletin from 1999, a photograph (possibly of an installation piece), and a number of pages of hand-drawn circuitry diagrams and other notes and sketches.

File consists of 3 ink drawings completed by Favro in 1957-1958. One of the sketches depicts a classroom, and on the back is written “Lord Roberts School London, Ontario 1957” and “drawn from memory.” The second sketch depicts the interior of a home, possible a living room or office, and is dated to 1958. The last sketch is undated and depicts the inside of an industrial workspace, possibly Parker’s Bread.

File consists of textual records including a number of handwritten notes and diagrams for a project (possibly "Synthetic Wave"), two copies of a printed diagram of an aircraft and its internal components, and a 20th Anniversary Issue of the Forest City Gallery catalogue for 1973-1993. Also includes a 3-page letter from Carmen Lamanna to Shonan McKay at Macleans Magazinefrom 1979, a handwritten letter from Nairn Publishing House from 1974, and a 2-page letter from Carmen Lamanna to Cathy Arthur with artscanada from 1981.