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File contains an essay, "Colour block process," a list of exhibitions 1894-1935, lists of artworks, a list of biographical information and a biographical sketch for the exhibition "Paintings by Mary Wrinch," Jerrold Morris Gallery, Toronto [1966].

Series comprises an undated photograph of Canadian portrait painter (Sir Edmund) Wyly Grier (Melbourne, Australia 1862–1957 Toronto) and others in Egypt, probably in the 1920s.

File contains photo portraits of the artist, views of his studio and photos of his paintings.

File contains correspondence from Helen Kemp Frye of the Art Gallery of Toronto, 1939-1940; a list of "Canadian historical paintings" by George Agnew Reid; a list of "Historical pictures of Canadian life" and "The coming of the white man" by George Agnew Reid; with a Jarvis Collegiate Institute 150th anniversary programme (1 June 1957).

File contains Mary Wrinch Reid's correspondence with the National War Committee, YMCA; the Society of Canadian Painter-Etchers and Engravers; the Royal Ontario Museum; the Art Gallery of Toronto; The Bishop Strachan School; the Windsor Art Association; the Ontario Society of Artists; Colin S. MacDonald; J. Russell Harper; the National Gallery of Canada; Paul Duval; the Art Gallery of Hamilton; Jerrold Morris Gallery; and Jones and Morris Commercial Photographers.

Item is a photo of Wyly Grier and three others seated on camels beside the Sphinx in Egypt

The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier