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Correspondence with the artist

Letter from London dealer regarding purchase

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

File contains collection documentation such as correspondence, receipts, invoices, floor plans, photographs and lists of artworks related to acquiring, exhibiting, maintaining and lending works from the J.S. McLean Collection, along with art gallery notices, exhibition catalogues, booklets on art subjects and newspaper clippings.

Series comprises photographs of artworks by Hundertwasser, Emily Carr and Raymond Mason, with a booklet on Hundertwasser and an envelope (sender: J. Plaskett).

Series comprises committee reports and minutes, correspondence, monthly bulletins of the gallery, exhibition notices, lists of donors, and accessions lists.

Collection consists of a series of recorded interviews gathered or commissioned by Ann Davis in the course of her research for her biographical work Somewhere Waiting: The Life and Art of Christiane Pflug. Several interviews were conducted by Ann Davis’ assistant, Elizabeth Schwaiger, who is a professional translator. The subjects of the interviews are people with whom Christiane had contact with throughout her life. For the most part, the interviews focus on the interviewees’ relationship to Christiane and/or her family. The collection also contains older recordings with the voice of Christiane herself. Full or partial transcripts are included for many of the recorded interviews. Fonds is comprised of the following series: 1. Interviews conducted by Ann Davis 2. Interviews conducted by Elizabeth Schwaiger 3. Other source material for Somewhere Waiting

Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.