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Collection consists of printed ephemera and correspondence documenting the life and art of George Agnew Reid and Mary Wrinch; greeting cards featuring prints by Mary Wrinch; and drawings by George Agnew Reid.

Item contains handwritten instructions on how to restore paintings, with recipes for cleaning compounds and canvas preparations, along with brief records of work done by Gertrude Spurr Cutts, perhaps in Port Perry, Ont. in the 1920s and 1930s for several named clients. Records in the notebook include the titles and dimensions of the paintings restored, with amounts charged. The 1845 edition of Henry Mogford’s Hand-book for the preservation of pictures (London: Winsor and Newton) is cited as a source of guidance on paintings restoration.

File contains 3 magazine covers by Guillermo Bol

One framed photograph of Iskowitz's family (parents and siblings). Date is estimated based on children's apparent age

Fonds consists of the personal records of Jack Pollock, including his writings (unpublished and manuscript); selected correspondence, experimental works on paper, publicity material such as press clippings, photographs of the artist and his associates, and related personal documents.

File contains 4 magazine covers by Norman Rockwell (1894-1978) from The Saturday evening post, 1920-1925.

File contains correspondence received by Lismer between 1921 and 1965 from various correspondents including Vincent Massey, Lewis Mumford, Barker Fairley, Marius Barbeau, Leo Mol and others; also from publishers, universities, art associations, galleries and schools. Some leaves have pen or pencil sketches on verso.

Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.

2 letters to Daytona Beach, Florida from Toronto with 1 fragment, no addresses

Series comprises lists of Arthur Lismer’s paintings exhibited in commercial galleries in Canada in the 1930s to 1950s, and the Art Gallery of Toronto Lismer retrospective of 1950; with correspondence regarding a planned exhibition of the work of British art students in 1922, a show of Lismer’s paintings in the Eaton’s department store in Toronto in 1946, and the 1950 Lismer retrospective.