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File consists of 1 lined notebook with Favro's notes and reflections. "Efforts and Thought" is written on the front, and the writings inside cover a variety of topics and issues, including the Vietnam war, what it means to be an artist, and perception.

File consists of 1 lined exercise book with Favro's notes on physics.

File consists of textual records that mainly relate to Favro's work and exhibitions from the 1960s and 70s. Includes an invitation to a show opening at La Galerie de France from 1969, 3 copies of an invitation to a joint exhibition for Favro and Ron Martin, and an invitation to a Favro exhibition at the Carmen Lamanna Gallery. Also included is a print-out of an article titled, “The Emergence of Modern Art” by Rudolf Nadassky, a receipt from 1971 from the City of London, Ontario for an instructor's fee, a pamphlet from the London Public Library and Art Museum for 1964-65, a postcard of a work of art titled "For Martin," and a collage-style card from the Carmen Lamanna Gallery staff to Favro. Lastly, there are six pages of professional correspondence spanning the 1960s-1990s.

File consists of textual records and graphic material, spanning from approximately 1963 to 2002. Included is an invitation to Favro and Judith Mae Byron’s wedding from 1968, a brochure for the Cape Spear National Historical Site, 2 copies of an invitation to the opening of "Murray Favro: A Retrospective" at the National Gallery of Canada from 1984, an invitation to the Members' Preview of "Murray Favro: A Retrospective" at the Art Gallery of Ontario, an invitation to "Murray Favro: Air Show" at the Carmen Lamanna Gallery, an invitation from the Canadian Ambassador in France, 9 postcards, a 1963 Vehicle/ Equipment Daily Work Ticket, a sketch on an aircraft, a small black notebook with notes and calculations from 1971, a program for “Kinotek” at the London Public Library and Art Museum, an invitation to a joint Murray Favro and Ron Martin exhibit at the McIntosh Gallery, a 1998 receipt for a delivery from the London Regional Art Gallery, a page of California Legislature from 1970, a number of pages of professional correspondence, a receipt from Fanshawe College, London, an advertisement and promotional booklet for the 2002 exhibit “Construction Compulsion” at Oakville Galleries, a Royal Canadian Academy of Arts bulletin from 1999, a photograph (possibly of an installation piece), and a number of pages of hand-drawn circuitry diagrams and other notes and sketches.

File consists of textual materials from the 1960s and 70s. It includes 4 copies of instructions for a military funeral from 1962, a set of instructions for Crumlin Summer Camp from 1962, 2 1974 letters to Favro from National Gallery and an accompanying contract for payment of an artist fee. Also included are 3 copies of a Vehicle/ Equipment Daily Work Ticket from Signal Regiment Training from 1962 and an undated program for Campus Players Summer Theatre.

File consists of 1 undated duotang notebook of papers with Favro's notes, from approximately the 1960s-1970s. The topics discussed in the pages include, "A Critical General Analysis of Greg Curncoe - works from his studio windows," "Anti-Americanism," Favro's thoughts on articles from the morning paper, an "Analysis of Ron's Technology," "Visit to Toronto," "English Teacher I Remember," "Theory of Bugs for Brains," "Mark in the Morning at 1 year old," a draft of an article criticism, and more.

File consists of textual records and graphic material. Includes approximately 16 pages of professional and personal correspondence, largely from the 1970s, a doctor's invoice from 1971, a Motorcycle insurance certificate, a Men's Canteen membership card, an invitation to a show opening at La Galerie de France from 1969, a 1969 bulletin for the London Public Library and Art Museum, 2 copies of a program for the 1969 Biennale in France, and a photocopy of a 1971 Globe and Mail article. Also included are approximately 40 pages of handwritten notes and sketches, covering a variety of topics and projects including a description of a possible projections show, a list of Favro's exhibitions up to 1971, problems on viewing films, and possible ideas for projects. Also included is a B&W photograph a of a desk and a postcard of Ibiza, Spain.

File consists of 1 watercolour painting of 3 aircrafts in flight.

File consists of textual records relating to Favro’s work, activities and interests, spanning a range of decades. Included is a driver's report of a vehicle accident, a Vehicle/Equipment Daily Work Ticket from Signal Regiment Training from 1962, 6 copies of an advertisement for the Nihilist Spasm Band performance at The Black Swan, a Canadian Motorcycle Association 1967 calendar of events, a Department of National Defence envelope containing a student militia training timetable, a Royal Canadian Signals menu, a letter to Favro from a commanding officer, and an Annual Range Classification sheet from 1961. Also includes a blank entry form for the Mosport Indian Summer Trophy Races, an advertisement for an exhibition at the McIntosh Memorial Gallery, 2 postcards for a Royden Rabinowitch exhibit at the Carmen Lamanna Gallery, a handwritten note regarding rolls of film to be developed, an undefined form concerning the Nihilist Spasm Band, correspondence from Carmen Lamanna, a 1992 contract between Favro and Bell Canada regarding a sculpture for the Canniff Switching Centre, a letter from the University of Calgary concerning a presentation to be given by Favro, a photocopy of a newspaper clipping of a 1989 article titled "McMaster art collection on view," a 1959 letter from Parker's Bread regarding summer employment, and a number of other pages of professional correspondence. Also included is an envelope from the Taxation Data Centre containing T4 receipts and a blank tax return form. Further, there is also a list of results from a 1967 motorcycle race, a note regarding an upcoming High School Art Workshop visit to Favro's studio, a 1963 Signal Regiment Annual Range Classification, and a sketch or diagram of an undefined object, possibly an aircraft.

File consists of 3 ink drawings completed by Favro in 1957-1958. One of the sketches depicts a classroom, and on the back is written “Lord Roberts School London, Ontario 1957” and “drawn from memory.” The second sketch depicts the interior of a home, possible a living room or office, and is dated to 1958. The last sketch is undated and depicts the inside of an industrial workspace, possibly Parker’s Bread.