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File consists of samples of prints, predominantly image transfers created through various processes such as by heat or solvent, on a variety of materials, including paper, cardboard, fabric, and metal. Also includes instructional documents for using Iron-on Transfer Paper and 8 skeletonized leaves, which were used as supplies during Astman's teaching.

File consists of Astman's photo ID card for OCAD U, attached to a fabric lanyard. A coin on a key ring is also attached to the lanyard.

File consists of correspondence from Nancy Jane Friedland and OCAD U regarding Astman’s retirement from teaching.

File consists of "The Deadline" (1996), a comic created by Helene Astrom (Contemporary Photography Department at OCAD), a production still from Blackmail (1929), directed by Alfred Hitchcock, two emulsion transfers and instructional documents regarding image transfers.

File consists of an instructional teaching document, paper, and three latex gloves. Materials relate to Astman's teaching of processes for the creative bleaching of photographs.

File consists of collages, Polaroid photographs and transparencies, newspaper and magazine clippings, and other paper ephemera and graphic material used by Astman as collage elements, such as printouts and photocopies. Some graphic material has been taped together and cut into various shapes, or scraped and scratched to form collage and overlay components. Also includes an instructional printout from Polaroid's website regarding tips and techniques for using Polaroid P/N films.

File consists of instructional and guide booklets, brochures, and related documents regarding creative techniques for using and manipulating polaroid film and creating image transfers. Also includes an invitation to the opening reception for the exhibition, Barbara Astman: Revisiting Red, as well as an emulsion transfer on aluminized paper, a polaroid image in a frame reading "got milk?" along the bottom, and two skeletonized leaves that were used by Astman in photographs.

File consists of image transfer prints on a variety of materials including paper, a copper plate, acrylic sheets, and a piece of fabric. Also includes a visual aid showing multiple examples of acetone image transfers, alongside the graphic material used to create the transfer and Astman's notes. The prints in this file exemplify the results of a variety of image transfer processes, including acetone transfers.

File consists of Polaroid prints and image transfers, predominantly emulsion lifts, showing the results of a wet image transfer process. Includes multiple transferes of the same image of a woman facing away from the camera, which Astman also used in a separate artwork series. One of the image transfers is on a glass plate, which Astman