Identity area
Reference code
Title
Date(s)
- [19--]-2011 (Creation)
Level of description
Fonds
Extent and medium
249 cm of textual records
502 photographs
45 drawings
9 models
42 journals
50 sketchbooks and colour mixing books
1 audio cassette
3 computer discs
11 artist books
30 rubber stamps
Context area
Name of creator
Biographical history
Robert Fones (born in London, Ontario, 1949) is a visual artist, curator, writer, designer and educator. Employing a strong ethnographical and archaeological component in his work, Fones uses sculpture, painting, woodblock printmaking, typography and photography to investigate the transition from manual to industrial production, and the hidden processes and impacts of geological and cultural change within contemporary society. Since 1976 he has lived and worked in Toronto, represented variously by Carmen Lamanna
Gallery, S.L. Simpson Gallery and (currently) Olga Korper Gallery. He has exhibited at artist-run centres and public institutions throughout Canada and, internationally, in the USA and Germany. His work is held by the National Gallery of Canada, the Art Gallery of Ontario and other public and corporate collections. Fones is an active participant in the visual arts community, having served on the board of the Art Gallery of Ontario, C Magazine Foundation and the Acquisitions Committee of the Design Exchange. He curated an exhibition for The Power Plant on the work of Toronto furniture designer, Russell Spanner, and Cutout: Greg Curnoe, Shaped Collages 1965–1968 for Museum London. He has written extensively
about art and artists such as Greg Curnoe, Murray Favro, Donald Judd and John Massey. Fones has taught at OCAD University, the Faculty of Architecture, Landscape, and Design at the University of Toronto, and in the Art and Art History Program at Sheridan College. He has published numerous reviews and articles in Vanguard, C Magazine, Parachute and other publications, published several artist books, participated in several poetry readings across the country; and undertaken several design and public art projects. He received the Toronto Arts Award in 1999 and the Governor General’s Award in Visual and Media Arts in 2011.
Archival history
The materials now constituting the Robert Fones fonds were transferred directly to the Art Gallery of Ontario in 2012.
Immediate source of acquisition or transfer
AGO credit line: Gift of Robert Fones, 2012
Content and structure area
Scope and content
Fonds consists of Robert Fones’ correspondence, journals, sketchbooks, art production materials and files for artworks and public art commissions, unpublished handmade artists books, a set of rubber stamps used for correspondence art, and ephemera related to Coach House Press, a publisher Fones had a longstanding relationship with. Fonds also includes Fones’ research and business files as well as files related to his design, curatorial and writing projects.
Appraisal, destruction and scheduling
Accruals
Further accruals are expected.
System of arrangement
Conditions of access and use area
Conditions governing access
Open. Access to Special Collections is by appointment only. Please contact the reference desk for more information.
Conditions governing reproduction
Copyright is held by the creator. Copyright belonging to other parties may still rest with the creator of these items. It is the researcher’s responsibility to obtain permission to publish any part of this fonds.
Language of material
- English
Script of material
Language and script notes
Physical characteristics and technical requirements
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Status
Final
Level of detail
Partial
Dates of creation revision deletion
7-Jul-15
Language(s)
- English
Script(s)
Sources
Archivist's note
Originally prepared by Marilyn Nazar, 2012
Uploaded and adapted by Nirvana Chainani, 2019