Showing 11 results

Authority record
photographers

Astman, Barbara

  • http://viaf.org/viaf/96277922
  • Person
  • 1950-

Barbara Astman (1950- ) is a Toronto-based artist who has worked in a wide range of photographic and mixed-media formats. Born in Rochester (NY), Astman was educated at the Rochester Institute of Technology School for American Craftsmen and, after moving to Toronto in 1970, the Ontario College of Art. She was a pioneer in the field of colour xerography, and her practice has included a mix of camera art, new media, sculpture and light projection installations. Thematically, her work has explored issues of identity, history, memory, systems of representation and gender perspectives, often involving her own body as a subject. She has executed a number of public art commissions for clients including the Calgary Winter Olympics, the City of Ottawa (St. Laurent Complex Recreation Project), Hayter Street Developments (Bay/Hayter Condominiums, Toronto) and Cadillac Fairview Corporation (Simcoe Place, Toronto). Astman is now a professor at the Ontario College of Art and Design in Toronto, where she has been teaching since the mid-1970s. She is represented by the Corkin Gallery. Her work is found in prominent public collections including the National Gallery of Canada, The Art Gallery of Ontario, The Bibliotheque Nationale (Paris, France), and the Victoria and Albert Museum.

Brownstone, S. (Shieky)

  • Person

Dr. Yehoshua (Shieky) Brownstone is a photographer in London, Ontario. He was formerly a Professor in the Biochemistry Department at the University of Western Ontario.

Buchanan, Donald W. (Donald William)

  • http://viaf.org/viaf/97708074
  • Person
  • 1908-1966

Donald William Buchanan (1908-1966) was a Canadian author, art historian/critic and arts administrator. Born in Lethbridge, Alberta, he was the son of Senator W.A. Buchanan, publisher of the Lethbridge Herald. Donald Buchanan studied modern history at the University of Toronto and held a fellowship at Oxford University. In 1935, he founded the National Film Society of Canada (from 1950 The Canadian Film Institute). The following year, his biography of James Wilson Morrice was published in Toronto. Subsequently, he worked at the CBC (1937-40), Canadian Art Magazine (1942, as co-editor) and the National Film Board (1944-46), where he established the stills division. He was at the National Gallery of Canada from 1947 to 1960 and there founded the National Design Centre, eventually becoming Associate Director (1956-60) and afterward (1963) a trustee. In addition to the Morrice biography, Donald Buchanan wrote Educational and Cultural Films in Canada (1936), This Is Canada (1944), Canadian Painters from Paul Kane to the Group of Seven (1945), Design for Use (1947), The Growth of Canadian Painting (1950), Alfred Pellan (1962) and To Have Seen the Sky (1962). After leaving the National Gallery, he began a career as an artist/photographer; his work was exhibited successfully and appeared in published photo-essays. On his death in a car crash in Ottawa in 1966 his collection of artworks was bequeathed to the art gallery in Lethbridge.

Fones, Robert

  • http://viaf.org/viaf/16845071
  • Person
  • 1949-

Robert Fones (born in London, Ontario, 1949) is a visual artist, curator, writer, designer and educator. Employing a strong ethnographical and archaeological component in his work, Fones uses sculpture, painting, woodblock printmaking, typography and photography to investigate the transition from manual to industrial production, and the hidden processes and impacts of geological and cultural change within contemporary society. Since 1976 he has lived and worked in Toronto, represented variously by Carmen Lamanna
Gallery, S.L. Simpson Gallery and (currently) Olga Korper Gallery. He has exhibited at artist-run centres and public institutions throughout Canada and, internationally, in the USA and Germany. His work is held by the National Gallery of Canada, the Art Gallery of Ontario and other public and corporate collections. Fones is an active participant in the visual arts community, having served on the board of the Art Gallery of Ontario, C Magazine Foundation and the Acquisitions Committee of the Design Exchange. He curated an exhibition for The Power Plant on the work of Toronto furniture designer, Russell Spanner, and Cutout: Greg Curnoe, Shaped Collages 1965–1968 for Museum London. He has written extensively
about art and artists such as Greg Curnoe, Murray Favro, Donald Judd and John Massey. Fones has taught at OCAD University, the Faculty of Architecture, Landscape, and Design at the University of Toronto, and in the Art and Art History Program at Sheridan College. He has published numerous reviews and articles in Vanguard, C Magazine, Parachute and other publications, published several artist books, participated in several poetry readings across the country; and undertaken several design and public art projects. He received the Toronto Arts Award in 1999 and the Governor General’s Award in Visual and Media Arts in 2011.

Gillies, Donald J.

  • Person
  • 1938-

Donald J. Gillies (1938-) is a former professor of photography who corresponded for many years with the artist Dennis Burton. Gillies attended Dennis Burton's History of Art course at The Three Schools in Toronto, where he befriended the artist. He joined the Photographic Arts Department of Ryerson Polytechnical Institute in 1968, eventually retiring as Director of the Joint York-Ryerson Graduate Program in Communication and Culture, Ryerson University, in 2003.

Hammond, M.O. (Melvin Ormond)

  • http://viaf.org/viaf/11518550
  • Person
  • 1876-1934

Melvin Ormond Hammond (1876–1934) was a Canadian journalist, editor, photographer and author. He was born in Clarkson, Ont. to Alvin and Catharine (Nauman) Hammond, and attended local public schools. In 1895 he became a reporter in Toronto with The Globe newspaper, where he continued in various positions for his entire career. In 1900 he married Clara Williams (b. 1875), with whom he had two children, Harold James (b. 1901) and Helen Isabel (b. 1909).
Melvin Hammond joined the Toronto Camera Club in 1906 and took up photography, the pursuit for which he is today best known, exhibiting his amateur photos at the Canadian National Exhibition and elsewhere in Toronto. His journalistic interest in Canada resulted in photographs of Canadian monuments and memorials and in portrait photographs of prominent figures of the day. As an author, he wrote three books, the last of which was Painting and Sculpture in Canada (Toronto : Ryerson Press, 1930).
M.O. Hammond was also a member of the Canadian Literary Club, the Arts and Letters Club of Toronto, the Ontario Historical Society, and the Canadian Historical Society. He died in Toronto in 1934.

Harris, Pamela

  • http://viaf.org/viaf/3283438
  • Person
  • 1940-

Born in Erie, Pennsylvania in 1940, Pamela Harris completed her Bachelor of Arts in English Literature at Pomona College in 1962, and moved to Toronto in 1967. A self-taught photographer, her work has consistently engaged with issues of social activism and feminist themes. In 1984, she embarked on perhaps her best known project Faces of Feminism, spending the next several years photographing women across Canada. The resulting work was exhibited extensively around Canada, and a selection of 75 photographs was published by Second Story Press as the book Faces of Feminism in 1992.

Pamela Harris first visited Spence Bay in September 1972. In 1973, she spent another four months in Spence Bay, Northwest Territories (now Taloyoak, Nunavut) photographing the people and landscape of the community, conducting interviews, and establishing a community darkroom where she taught local residents (mostly Inuit craftswomen) how to process film and print their own photographs.

In addition to the monograph Another Way of Being, published in 1976, Harris’ Spence Bay. N.W.T. photographs were exhibited in 1974-76 at The Photographers' Gallery in Saskatoon, the David Mirvish Gallery in Toronto, and the Monterey Peninsula Museum of Art in California. Photographs taken and printed by the Spence Bay residents as part of the darkroom project and natural dyes workshop were exhibited in 1974 at the Arctic Women's Workshop, a craft conference and exhibition held at the TD Centre in Toronto. An interview Harris conducted with Theresa Quaqjuaq, one of the Inuit women who participated in the darkroom project with Pamela Harris, was recorded and included in the 1973 Women’s Kit, a teaching aid Harris produced for the Ontario Institute for Studies in Education (OISE) to be used in high schools and colleges for teaching women’s history in Canada. Excerpts of this interview, as well as an interview with Pamela Harris, were also aired on CBC Radio.

A small settlement near Boothia Peninsula (formerly Boothia Felix) in the Kitikmeot Region, Spence Bay was established by the Hudson Bay Company as a trading post in the 1950s, and settled by Netsilik and Dorset people. According to Harris, the population was about 400 in 1972-1973, most of whom had settled there within the past fifteen years, and many of whom spoke only Inuktitut. Her portraits of the people she met during her stay there and photographs of the landscape she encountered document the traditional ways of life and the rapid changes it underwent due to the cultural influences of the south.

Lake, Suzy, 1947-

  • http://viaf.org/viaf/16235838
  • Person
  • 1947-

Suzy Lake (born Detroit, Michigan, 1947) is a visual artist and educator whose work uses photoconceptual, performance and video strategies to examine and critique ideals of the body, gender and identity. She immigrated to Montreal in 1968, following the 1967 Detroit riots, and became a founding member of the artist-run centre Véhicule. Lake’s career has been based in Toronto since the late 1970s. She has taught at the University of Guelph since 1988. Her work is in numerous major public collections including those of the National Gallery of Canada, Art Gallery of Ontario, Winnipeg Art Gallery and Montreal Museum of Fine Art.

Lexier, Micah

  • http://viaf.org/viaf/63572904
  • Person
  • 1960-

Micah Lexier (1960- ) has established a national and international recognition as an artist, curator, and avid collector. His artistic practice is rooted in conceptual art and is often characterized by its collaborative nature. He works across a multitude of media which include sculpture, drawing, photography, video, and installation. Lexier’s artworks are often recognized for their engagement with concepts such as time, language, and the everyday, which are emphasized through his preference for process over the end product, and an artistic methodology that centers around documenting, collecting, and organizing.

Born in Winnipeg, Manitoba, Lexier studied at the University of Manitoba, receiving a Bachelor of Fine Art in 1982. He went on to earn a Master of Fine Art from the Nova Scotia College of Art & Design in 1984. Lexier then spent more than a decade living and working in Toronto, before moving abroad to New York in 1999. In 2008 he returned to Toronto, where he has since remained.

In 2015 Lexier received the Governor General’s Awards in Visual and Media Arts. His extensive exhibition history includes over 100 solo exhibitions and more than 200 group exhibitions. He has also been commissioned to produce more than a dozen public art installations at venues including the Tom Thomson Memorial Art Gallery (1991), Toronto’s Metro Hall (1992), and Toronto’s Bay-Adelaide Centre (2016). His work is in many major Canadian and international collections including the National Gallery of Canada, the Art Gallery of Ontario, the Vancouver Art Gallery, the Musée d’art contemporain de Montréal, the British Museum, and the Contemporary Art Gallery (Sydney, Australia). In 2013, Lexier exhibited a landmark solo show at The Power Plant (Toronto, ON) entitled One, and Two, and More Than Two. The “one” portion of the show presented a 30 year retrospective of his work in the form of an artwork entitled Working as a Drawing. It was complemented by parts “two” and “more than two,” which showcased his practice in collaboration with more than 100 Toronto artists.

Photo Eclipse (group of artists)

  • Corporate body
  • 1992-2000

Photo Eclipse was a group of photographers who operated The Photo Passage gallery at Harbourfront Centre, Toronto, from 1992 to 2000. Founding members Pamela Harris, Judy Whalen and Henry Jablonski organized themselves in the spring of 1992 upon learning that The Photographers Workshop (Gallery TPW) planned to relocate their exhibition space from Harbourfront, and recognizing a resulting loss to the photography community. Calling themselves initially the Committee for the Continuation of Photography at Harbourfront, and later the Curved Wall Collective, the group settled on the name Photo Eclipse. They successfully petitioned Harbourfront for use of the gallery space, naming it The Photo Passage and opening their first exhibition in November of 1992. Other group members included David Hlynsky, Elaine Ling, Vince Pietropaolo, Judith Sandiford, Irena Schön, John Scully, Volker Seding and Jane Watson. Photo Eclipse was active until 2000, mounting more than 30 exhibitions over the course of that time.

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