Showing 3306 results

Authority record
AGOEX-2989 · Conceptual · September 15, 2001 - January 27, 2002

Built by the Boulton family between 1817 and 1820, The Grange is Toronto's oldest remaining brick house and a national historic site. The Grange was bequeathed at the beginning of the twentieth century to become the home of Toronto's first art museum. During the nineteenth century, The Grange was at the centre of this city's social and political activity. Today, with its collection of furniture, artifacts and art, it is an historic house museum and a unique part of the Art Gallery of Ontario. The house embodies the AGO''s development over the past century, when it grew to become the eighth largest art museum in North America.

The works of several contemporary artists will be special "guests" in The Grange, the Gallery's first home, in celebration of the Art Gallery of Ontario's first century and the fact that the Gallery was founded with the work of then living artists. The exhibition, which is entitled House Guests: Contemporary Artists in The Grange, provides the opportunity to interweave our past and our future. Drawing upon the continuous transformations that have characterized The Grange, its holdings and its social and cultural role, these artists have been invited to respond to this rich site with works that will be installed throughout the house. This co-mingling of historical and contemporary forces will reveal our artistic heritage as the living legacy from which many current artistic practices are fashioned.

The exhibition will be accompanied by the publication of a book, featuring an essay about The Grange by Charlotte Gray, author of Sisters in the Wilderness. The artists participating in House Guests will provide commentary on their installations and the impact that the house and its place in Toronto's history and culture had on their creative process.

Among those currently conceiving special projects for this unique exhibition in The Grange are Luis Jacob, Robert Fones, Rebecca Belmore, Christy Thompson, all from Toronto, Elaine Reichek (New York), Elizabeth LeMoine (London) and Josiah McElheny, (New York).

The project was originally conceived by AGO Curators Christina Ritchie and Jessica Bradley of the Contemporary Art department, in collaboration with Grange Curator Jenny Rieger. The publication is supported by The Grange Council.

AGOEX-0996 · Conceptual · 1963 - 1965

Exhibition organised and circulated by the Art Institute of Ontario 1963-65. See AIO Annual Meeting: May 21, 1964; Oct. 29, 1964; Oct. 28, 1965

AGOEX-0997 · Conceptual · 1962 - 1963

Exhibition organised and circulated by the Art Institute of Ontario 1962-63. See AIO Annual Meeting: June 13, 1963; May 21, 1964

AGOEX-2490 · Conceptual · 1988-10-06 - 1989-03-30

Artists with their work program. North Bay - Oct 6-29, 1988; Peterborough - Jan 5 - Feb 5, 1989; Kingston - Mar 6-30, 1989;

Howard, Alfred Harold
Person · 1854-1916

Alfred Harold Howard (1854–1916) was a British Canadian graphic artist, calligrapher and decorative designer in Toronto in the late 19th and early 20th centuries. Born in Liverpool, England, he apprenticed as a lithographer with the Liverpool branch of the firm Maclure, Macdonald and Macgregor. In 1876 he immigrated to Canada and eventually opened an office of graphic design in the Temple Building in downtown Toronto. He received the Marquess of Lorne’s Medal for Design in 1881 and was made an academician of the Royal Canadian Academy of Arts in 1883.
Howard’s commercial design work took the form of illuminated addresses of welcome, certificates and diplomas and addresses of condolence. In 1891 he produced the City of Toronto address of condolence presented to Lady Macdonald on the death of the Prime Minister, Sir John A. Macdonald. Howard exhibited with the Ontario Society of Artists at their Applied Art Exhibition in 1900 and with the Canadian Society of Applied Art in 1905. He was a member of the Toronto Art Students’ League and the Arts and Letters Club of Toronto. When he died in Toronto in 1916 (26 February), the Art Museum of Toronto held a memorial exhibition of his work.
Howard’s artworks are in the collections of the Art Gallery of Ontario, the Royal Ontario Museum in Toronto, the Toronto Reference Library, the Arts and Letters Club of Toronto and the National Gallery of Canada in Ottawa.