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Emily Louise (Orr) Elliott (1867–1952) was a Canadian commercial artist and painter of landscapes and floral still lifes. Born in Montreal, she studied in the 1880s at the Ontario School of Art in Toronto (now the Ontario College of Art and Design University), the Art Students’ League in New York City and the New York School of Art. Emily Louise Orr married physician John Ephraim Elliott (1858–1940) in Toronto in 1893; they had one son, Leighton Henry Elliott (1894–1947).

Emily Elliott worked in fashion illustration in Toronto probably between 1900 and 1930. As a painter, she also exhibited with the Royal Canadian Academy of Arts (1898–1910) and with the Ontario Society of Artists (1899–1925), and was appointed in 1895 to the Canadian National Exhibition art committee, on which she served for 33 years. She was associated with the Art Museum of Toronto (now the Art Gallery of Ontario) in its earliest years and in 1918 and 1919 she participated in organizing exhibitions of pictures for children at the Museum. As an illustrator of women’s clothing designs, she created newspaper advertisements for the Toronto star, drawings for the Robert Simpson department store catalogue and fashion posters.

Before and during her career, she assembled a collection of the work of other illustrators published in books and magazines, chiefly from the 1880s to 1920s, a collection she gave to the Art Gallery of Toronto (now the Art Gallery of Ontario) in 1925.

Emily Elliott was a member of the Toronto Women’s Press Club (from 1912) and the Heliconian Club.

She died in Toronto in 1952. Her paintings and drawings are in the collections of the City of Toronto Market Gallery, the Toronto Public Library and the Robert McLaughlin Gallery in Oshawa, Ont.

General Idea was a collective of three artists, Felix Partz, Jorge Zontal and AA Bronson, who were active from 1967 to 1994.

Sorel Etrog (Jassy, Romania 1933 - Toronto, Canada 2014) was an artist, writer and philosopher. He began his art studies at the Institute of Painting and Sculpture in Tel Aviv; his first solo show in Tel Aviv (1958) led to a scholarship at the Brooklyn Museum of Art. In New York, he caught the attention of Samuel Zacks, which led to his first show at Gallery Moos in Toronto. Etrog subsequently immigrated to Toronto in 1963, and made his home here for the remainder of his life (apart from sojourns in Italy in the 1960s and 1970s, working with the Michelucci foundry). Etrog’s work has been exhibited in numerous solo and group exhibitions in Canada and internationally, and his artwork is in the collection of major
museums and private collections worldwide, in addition to the public art works noted above. A retrospective of his work was held at the AGO from April 27-September 29, 2013. Sorel Etrog died on February 26, 2014.

Gershon Iskowitz (1921-1988) was an abstract painter based in Toronto for much of his artistic career. Born in Kielce, Poland, he survived internment in Nazi concentration camps and lost his entire family in the Holocaust. Iskowitz studied art in Munich at the Akademie der Bildenden Künste in 1947, soon transferring to private studies with Oskar Kokoschka. He moved to Toronto in 1949. His work developed from wartime imagery to a focus on landscapes (particularly inspired by practice in the Parry Sound area), eventually arriving at his mature abstract expressionist style in 1967. Iskowitz began exhibiting with Gallery Moos in 1964, a relationship which continued throughout his career. He taught at the New School (Toronto) from 1967-1970, and his informal mentoring of artists in Toronto is often noted. Iskowitz, along with Walter Redinger, represented Canada at the Venice Biennale in 1972. The artist established the Gershon Iskowitz Foundation in 1985, with the mandate of awarding the Gershon Iskowitz Prize to a mature practising artist; since 2007 the Foundation has partnered with the Art Gallery of Ontario to administer the Gershon Iskowitz Prize at the AGO.

Florence Vale, Canadian artist, was born on April 18, 1909 in llford, Essex, England and died on July 23, 2003 in Toronto, Ontario, Canada. Her family immigrated to Toronto two years after her birth, where she grew up with an interest in music. She married artist Albert Franck on June 8, 1929, and together they bought a house on Hazelton Avenue in Toronto which became a centre for artists, writers, musicians, and critics. Florence Vale was the mother of two children, Trudy (who died as an infant) and Anneke.
Florence Vale began to paint with her husband’s paints and brushes in the late 1940’s with no previous artistic training-only what she had learned under the influence of her husband and the artists who visited her home. Her art was influenced by Surrealism, Cubism, Expressionism, and the works of Paul Klee. After her husband’s death in 1973, Florence Vale continued to express her artistic ability with oil paints, collages, and ink, also including her own poetry in some of her works. Many of her works, most prominently after the death of her husband, were erotic, while still viewed by critics as keeping a whimsical, innocent tone. Her art appeared in exhibitions throughout Ontario, with exhibitions also in Quebec and New York, U.S.A. She was associated with the Gadatsy Gallery, Toronto.