Showing 17 results

Series comprises photographs of Canadian painter Elizabeth McGillivray Knowles (Ottawa 1866–1928 Riverton, N.H.) and her paintings taken around the turn of the 20th century at an unidentified location.

File contains photo portraits of the artist, outdoor shots and views of her studio; with photos of her paintings.

Series consists of photographs of American Canadian painter Farquhar McGillivray Knowles (Syracuse, N.Y 1859–1932 Toronto) and his paintings.

File contains photo portraits of the artist, views of his studio and photos of his paintings.

Series comprises photos of Canadian painter George Agnew Reid (Wingham, Ont. 1860–1947 Toronto) and his paintings; correspondence with Helen Kemp Frye; lists of paintings; an essay by the artist and a programme for the 150th anniversary (1957) of Jarvis Collegiate Institute, Toronto.

File contains photos of the artist and his (second) wife Mary Wrinch Reid, his studio and his paintings.

File contains correspondence from Helen Kemp Frye of the Art Gallery of Toronto, 1939-1940; a list of "Canadian historical paintings" by George Agnew Reid; a list of "Historical pictures of Canadian life" and "The coming of the white man" by George Agnew Reid; with a Jarvis Collegiate Institute 150th anniversary programme (1 June 1957).

The collection consists chiefly of photographs of the artists Elizabeth McGillivray Knowles (1866-1928), Farquhar McGillivray Knowles (1859-1932), George Agnew Reid (1860-1947), Mary Heister Reid (1854-1921), Mary Wrinch Reid (1877-1969) and Edmund Wyly Grier (1899-1961), their studios and works, along with related textual materials. Fonds consists of the following series: Elizabeth McGillivray Knowles Farquhar McGillivray Knowles George Agnew Reid Mary Heister Reid Mary Wrinch Reid Edmund Wyly Grier

File contains installation shots of the Memorial Exhibition of Mary Hiester Reid at the Art Gallery of Toronto in October 1922.

Series comprises a photo of Canadian painter Mary Hiester Reid (Reading, Pa. 1854–1921 Toronto), with installation shots of the 1922 memorial exhibition of her paintings at the Art Gallery of Toronto, and a photo of an oil portrait of her by her husband George Agnew Reid.