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Series contains administrative files pertaining to Gale’s time as Executive Director of A Space in Toronto. Series includes invitations, correspondence, board agendas and minutes.

Series contains research and administrative files pertaining to Gale’s time as Educational Officer at the Art Gallery of Ontario, and as a member of the Contemporary Collection Committee (1979-84), as well as files on “Norman Cohn: Portraits” exhibition curated by Gale in 1984.

Series contains retail catalogues, board meeting minutes, budget notes, small publications, and correspondence from Gale’s time as Video/Film Director (1975-79), Special Projects Coordinator (1985-87), Vice President and President of the Board of Directors (1979-2008), Interim Director (1988) and Acting Director (2001-2002) at Art Metropole in Toronto.

Series contains records related to Peggy Gale’s work on the Montreal Biennale 2000 “Touts les Temps/Every Time”, which she curated, and “L’avenir (Looking Forward)” 2014, co-curated by Gale and Gregory Burke. Series includes proposal by Gale and Burke for the 2014 Biennale, research, artist proposals, correspondence, contracts, floor plans, lists of artists, and curator reports.

Series consists of Peggy Gale’s correspondence with artists, curators and other friends and associates. Files are a combination of personal and administrative/curatorial content, typically containing letters, postcards, ephemera, and photographs.

Series contains documentation of Michael Snow’s career and relationship with Gale, including correspondence with curators, letters to Gale, invitations, essays and proposals, press clippings, sketches and articles.

Series contains original audio recordings of lectures and interviews at NSCAD University and transcriptions, resulting in the 2004 publication “Artists Talk” by NSCAD Press edited by Peggy Gale. Additional files on NSCAD press and summer course taught by Gale in 1979.

Fonds consists of documentation of Peggy Gale’s career as an independent writer and curator in Canada with projects in the US, Europe, Brazil, and Japan. Accumulated content includes records of curated exhibitions, publications, photographs and slides, ephemera, essays, biographical information on artists, Gale’s research notes from various projects, written correspondence with artists and artist run centres, and audio recordings of lectures and interviews.

Series contains personal photographs from travelling, audio cassettes, correspondence, cards and invitations.

Series contains resumes, photographs and slides, correspondence, press clippings, posters, DVDs, interview transcriptions and audio cassettes, ephemera, obituaries, artist contracts, general research, reviews, articles and essays written by Gale and other curators on Canadian and International video and performance artists. These records were organized by Gale in labelled alphabetized folders.