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Fonds consists of correspondence with art galleries, artists and others regarding the acquisition and lending of artworks, as well as general correspondence with members of the Canadian arts community. Correspondents include André Bieler, B.C. Binning, E.J. Hughes, Jean-Paul Lemieux, Arthur Lismer, J.W.G. MacDonald and Frederick Varley (including a 1951 filmscript on Varley by Allan Wargon). The fonds also comprises two pen or pencil sketches by Arthur Lismer of C.S. Band, photographs of him and his friends, photographs of his collection, and installation shots of his artworks in exhibitions along with several exhibition catalogues. Fonds is comprised of the following series: Photographs Correspondence, galleries Correspondence, artists Correspondence, F.H. Varley Correspondence, general Miscellaneous

Fonds consists of the archival contents of Betty Goodwin’s studio, including sketchbooks and notebooks in which she drew and recorded inspiration and ideas; loose sketches and notes; found and manufactured objects retained for their aesthetic or inspirational qualities; printing plates; folders containing inspirational found images and the artist’s re-workings of same; photographs of the artist and her work spaces; folders and a maquette relating to proposals for public commissions; a small amount of personal correspondence and publicity material; photographic documentation of her artwork; her numerous awards and honourary degrees; and video documentation of Goodwin’s dance collaborations.

Fonds consists of research materials generated in preparation for Southcott's book The Sound of the Drum: The Sacred Art of the Anishnabec (Erin, Ontario: Boston Mills Press, 1984). The following artists are documented in the fonds: Allen Angeconeb, Del Ashkewe, Carl Beam, Leland Bell, Benjamin Chee Chee, Shirley D. Cheechoo, Blake Debassige, Noel Ducharme , Don Ense, Rhonda Franks, Ril Gaiashk, Tom Hill, Robert Houle, Alex Janvier, Francis Kagige, Goyce Kakegamic, Morley Kakepetum, Eleanor Kanasawe, Josh Kakegamic, Norman Knott, John Laford, Mel Madahbee, Norval Morrisseau, Hugh Mckenzie, Johnson Meekis, Daphne Odjig, Martin Panamick, Carl Ray, Tim Restoule, Michael Robinson, Allen Sapp, James Simon, Arthur Shilling, Roy Thomas, Randy Trudeau, and Saul Williams.

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the second decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

Fonds consists of material documenting the administrative and exhibition functions of Baldwin Street Gallery, including correspondence, the records of gallery director Laura Jones, grant applications, research files, press, and the gallery's published material such as newsletters, exhibition invitations, posters, and programmes.

Collection consists of correspondence between Avis Lang Rosenberg and Jack Chambers over a three-year period, slides created for the proposed book, transcriptions of taped interviews, contents of a notebook, poetry and prose written by Chambers, research notes, Lang’s writings on Chambers, exhibition catalogues and a private press publication containing illustrations by Chambers. Much of the material is present in photocopied form. File titles were assigned by Avis Lang, except where square brackets are used. The collection is arranged in a single series.

The fonds consists of exhibition lists; manuscripts of articles, lectures, radio broadcasts, and a book; correspondence; art education pamphlets; materials related to a National Film Board production about the artist; papers about other artists; memorabilia from the Arts and Letters Club, Toronto; photographs and papers relating to Tom Thomson; and a source book on Arthur Lismer prepared by Marjorie Lismer Bridges.

Fonds consists of Art Institute of Ontario records accumulated by Paul Bennett, in the course of his duties as Field Director / Adviser and later Director of the Art Institute of Ontario. Fonds includes Adviser’s service reports, minutes of annual meetings, director’s reports, funding briefs, and two scrapbooks documenting the activities of the AIO. Fonds is comprised of the following series: 1. Adviser’s service reports 2. Minutes, director’s reports and funding briefs 3. Scrapbooks

Fonds consists of Art Directors Club, Toronto official records, correspondence, records of club meetings, committee reports, membership records, exhibitions and awards dinner records, and other material.

Fonds consists of a notebook commenced by Anna Belle Wing Kindlund in 1895, in which she recorded information on works of art and architectural monuments (chiefly European), with thumbnail-sized albumen prints of many of the items and occasional ink sketches. The notebook has alphabetical index tabs, and its entries are alphabetical according to city. The inscription on the frontispiece reads “Anna Belle Wing-B.S. ‘95”. The fonds is arranged in a single series.