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Fonds consists of scrapbooks assembled by Canadian artist and author Edmund Morris (1871-1913) of autograph manuscripts of Wyatt Eaton, chiefly on art (especially Italian Renaissance art), and literature. Also included are correspondence of Edmund Morris, Charlotte Eaton and others regarding Wyatt Eaton, and material related to the Society of American Artists.

Fonds documents Workscene Gallery as an artist collective, artist-run gallery and publisher in Toronto, including photographs, negatives, slides , photo albums, one poster, newspaper clippings, invitations, guest books, log books, exhibition catalogues, one video tape, address stamp and corporate seal.
Contains series:

1. Members and associate members files
2. Exhibition files
3. Executive Committee files
4. Financial records
5. Publications
6. Correspondence
7. Administration files

Fonds consists of material documenting the Women's Art Resource Centre as a gallery and provider of educational programming, facilities, and research resources to support and promote women artists, including photographs, slides, exhibition promotion, workshop flyers, brochures, posters, newspaper clippings, correspondence, and publications.

Fonds consists of the personal and professional records of the artist Winsom. Includes records documenting her work as a multi-media artist, activist, arts educator, and mentor in Canada and Belize, as well as some material from her early years in Jamaica. Includes such textual records as printed material for exhibitions and other artistic projects, grant applications and project reports, correspondence, press clippings, and project notes.
Visual material predominantly includes draft sketches and samples of Winsom's illustration projects and photographs of from her work and travels. Fonds also contains some digital records on optical disks and VHS tape, including a movie by Winsom, a digital catalogue, and footage from an exhibition opening.

Fonds consists of correspondence with art dealers, experts and auction houses; photographs of artworks; hand-painted illustrations of ceramics; inventories of art and ceramics collections; descriptive catalogues of the art collection; research notes on the provenance of works of art; art-related publications; and wills pertaining to the development, maintenance and dispersal of the Van Horne family collections of paintings and ceramics over the course of three generations in Montreal from late 19th to the end of the 20th century. Fonds is comprised of the following series: 1. Sir William Van Horne’s notebooks 2. Sir William Van Horne’s files 3. Sir William Van Horne’s collections record books 4. Photo reproductions of works of art 5. Illustrations of ceramics by Sir William Van Horne 6. Note card collections inventories 7. “Dummy” catalogue 8. Division of collection records 9. Miscellaneous documentation of collection 10. Adaline Van Horne’s correspondence 11. Miscellaneous inventories 12. Robert J. Wickenden catalogues 13. Margaret Van Horne’s files 14. Margaret Van Horne’s binders 15. Janet Hannon’s provenance notes

Fonds consists chiefly of correspondence received by Harold Murchison Tovell, Ruth Massey Tovell and Vincent Tovell, most notably from their friends the French artist Jacques Villon and his wife Gaby from 1928 to 1962. Other correspondence concerns the lending and donation of family artworks. Also included are catalogues for exhibitions of the works of Jacques Villon and his brother Raymond Duchamp-Villon as well as inventories and photographs of Tovell family artworks and furnishings. The fonds comprises ca. 83 items. Fonds is comprised of the following series: 1. Harold Murchison Tovell correspondence 2. Ruth Massey Tovell correspondence 3. Vincent Tovell correspondence 4. Jacques Villon exhibition correspondence 5. Jacques Villon exhibition catalogues 6. Tovell collection photographs 7. Tovell collection inventories

The fonds consists of personal and professional correspondence, exhibition and projects files, exhibition catalogues, newspaper articles and reviews of Tim Zuck’s work, multimedia records including art related photographs, films, audio cassette tapes, conceptual art projects, exhibition notices, financial records, and publications.

The collection consists of Lee’s files on a number of Canadian visual artists, art associations and related individuals. File contents vary but typically contain material such as correspondence, essays, photographs, sketches, watercolour paintings, press clippings and printed ephemera. File titles are as follows: Arts and Letters Club; Brooker, Bertram R. (1888-1955); Challener, F.S. (1869-1959); Colgate, William (1882-1971); Delfosse, Georges (1869-1954); Dyonnet, Edmond (1859-1954); Forbes, Kenneth (1894-1980); Fowler, Daniel (1810-1894); Fraser, John A. (1838-1898); Girard, Rodolph; Grier, E. Wyly (1862-1957); Howard, A.H. (1854-1916); Huntley, Walter E. (1887-1931); Jackson, A. Y. (1882-1974); Jacobi, Otto R. (1812-1901); Jefferys, Charles W. (1869-1951); Johnston, R.E. (1885-1933); Kane, Paul (1810-1871); Kelly, John D. (1862-1958); Laberge, Albert; Lismer, Arthur (1885-1969); MacDonald, Grant (1909-1987); Millard, Charles S. (1837-1917); Ontario Society of Artists; Ottawa; National Gallery of Canada; Peel, Paul (1860-1892); Reid, George Agnew (1860-1947); Rolph, G.G. (Rolph, Clark and Stone Ltd.); Royal Canadian Academy of Arts; Rozaire, Arthur D. (1879-1922); Russell, Gilborne; Signatures of Artists; Spooner, James; Thomson, Tom (1877-1917); Toronto. National Portrait Gallery; Wickenden, Robert (1861-1931). Arranged alphabetically according to subject by T.R. Lee.