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Fonds consists of documentation of David Blackwood’s career as a visual artist in Canada. Accumulated content includes exhibition catalogues and related documents, biographical information on David Blackwood, publicity materials, photographs and slides, preparatory drawings and sketchbooks, certificates and other awards on paper, video recordings of special events, ephemera, written correspondence with artists and art galleries, and Blackwood’s research materials from various projects.

Fonds consists of material produced by Pleasure Dome in Toronto for its programs of film and video exhibitions between 1989 and 2016, including press releases, clippings of notices and reviews, programming records with correspondence, and related material.

Fonds consists of documentation of Peggy Gale’s career as an independent writer and curator in Canada with projects in the US, Europe, Brazil, and Japan. Accumulated content includes records of curated exhibitions, publications, photographs and slides, ephemera, essays, biographical information on artists, Gale’s research notes from various projects, written correspondence with artists and artist run centres, and audio recordings of lectures and interviews.

Fonds consists of the working papers of Micah Lexier. Items include correspondence, sketches, project descriptions and proposals, press clippings, publicity materials, and other documents pertaining to the design and fabrication of artworks.

Fonds consists of the records of the life and work of Sorel Etrog, including his personal, professional and literary correspondence; records of exhibitions and of acquisitions of his work by various galleries and collectors; administrative records related to various projects and collaborations by the artist; preparatory and experimental works on paper (“study drawings”); a selection of preparatory maquettes for sculptures; publicity materials including exhibition invitations and press clippings; and comprehensive documentation (photographs and lists) of the artist’s finished work. Three paintings by art collector and patron Samuel Zacks are also included.

Fonds consists of corporate records of Gallery Moos, including files on artists and associated dealers and galleries, art fair participation and travel, business correspondence, publishing and administrative records and the records of David Moos and gallery director Gerard Jennings. Fonds also contains the gallery’s published material, including exhibition invitations and catalogues, posters, and limited edition publications. Two films on gallery artist Gershon Iskowitz are also included.
The accrual of 2004 consists of Series 8 and Series 9, listed below. In 2012 the accrual of material from Gallery Moos augmented Series 1–6, 8 and 9, and added Series 10–14.

Fonds consists of Robert Fones’ correspondence, journals, sketchbooks, art production materials and files for artworks and public art commissions, unpublished handmade artists books, a set of rubber stamps used for correspondence art, and ephemera related to Coach House Press, a publisher Fones had a longstanding relationship with. Fonds also includes Fones’ research and business files as well as files related to his design, curatorial and writing projects.

Fonds contains notes, sketches and plans for artwork by Murray Favro; correspondence with curators, dealers and others; and related documents and ephemera.

Fonds consists of personal and professional records created by Gilbert and Stewart Bagnani and their families, chiefly in Europe, North Africa, and Canada, for the most part between ca. 1910 and 1955, comprising photographs of Gilbert Bagnani's travels and archaeological work in Italy, Greece, Turkey, Libya and Egypt in the 1920s and 1930s; a motion picture of his activities in and around Tebtunis in Egypt in 1934; correspondence between the Bagnanis themselves, Gilbert Bagnani's mother Florence Bagnani and other family members; photos of the families of Gilbert and Stewart Bagnani, including 19th-century photo portraits of their Dewar, Houston, and Robinson relatives; a collection of copy prints and glass slides of art and antiquities used by Dr. Bagnani in his university teaching; audio recordings of Dr. Bagnani lecturing; albums of clippings and memorabilia of family and social events; miscellaneous printed, typescript and manuscript items; photos of the Bagnanis at Trent University in the 1980s; an album of postage stamps; and other material.

Contains series:

1. Correspondence
2. Family photographs
3. Archaeological and travel photographs
4. Art history images
5. Albums and scrapbooks
6. Miscellaneous records