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Fonds consists of records relating to the life and work of Christiane Pflug. Textual materials include the artist’s correspondence (including translations from German to English provided by Michael Pflug), records of exhibitions, and a manuscript relating to her childhood. Visual materials include extensive photographic documentation of the artist and her family and a postcard collection used for inspirational purposes. Also included are items depicted in her paintings. The fonds also contains records documenting Michael Pflug’s activities and his life and relationship with Christiane Pflug. It includes his correspondence, manuscripts of an unpublished autobiography, and records related to the management of Christiane Pflug’s art.

Typical file contents include correspondence, lists of works of art, invoices and receipts.

Collection consists of photocopies of W.J. Wood’s correspondence with Group of Seven members and others. Collection also includes photocopies of poems by Wood, exhibition-related records, and selected summaries and transcriptions of correspondence. Material comprising this collection was gathered by curator Christine Boyanoski in the course of her research toward the exhibition William J. Wood: Graphics and Drawings (Art Gallery of Ontario, 1983). The collection is arranged in a single series, in which file titles correspond to sections in Boyanoski’s binders.

Drafts of article

File contains personal correspondence. Includes poetry by Christopher Dewdney. Also includes letters from "Suzanne" in early 1970s.

Fonds consists of documentation of the work and activities of members of the ChromaZone Collective; records of the group’s exhibition activity, including posters; and photographs of group members. Fonds also includes records related to the establishment and administration of the Tim Jocelyn Art Foundation, and records of Sibyl Goldstein’s art-related activity following the disbandment of ChromaZone.

Ink-jet prints of images and related text for Chrysalis, Specimen Boxes. Artist Statement by Suzy Lake, ca. 1997. Press release for show at Paul Petro Contemporary Art; event guide for Contact Festival 1997