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Item is a questionnaire with the artist's responses to questions about birth date and location, studies, awards, exhibitions, memberships in artist societies, publication of work, and home or studio address.

File consists of correspondence and related documents regarding Astman's course assignments at OCAD U and confirmation of status and compensation as a faculty member. Also includes forms and correspondence regarding a request for a reduction in workload for the 2017-2018 academic year.

Customs and transport forms; correspondence re loan to Notre Dame; correspondence re Friends of Gustav Courbet Society.

Letter and brochure from Signalex re: LED lighting, Sculpture proposal by Douglas Coupland, August 2006, Proposal by Joe Kondrat, "Army Men New Style Bronze Sculptures", Information package from Lumisty, window films.

Painting models

Item is a questionnaire sent by the Art Gallery of Ontario in connection with the Toronto Painting '84 exhibition, with the artist's responses.

Invoice for 2 paintings; correspondence regarding loans to the AGO and the University of Saskatchewan.

Item is a questionnaire with the artist's responses to questions about birth date and location, studies, awards, exhibitions, memberships in artist societies, publication of work, and home or studio address.

Series consists primarily of items of clothing designed or decorated by Robert Markle. Includes a denim suit embroidered by Markle; 3 sports t-shirts and 2 baseball caps designed by the artist for the UIC Flyers; 1 t-shirt with painted design by Robert Markle; a baseball cap with “Red Man” tobacco logo; and a baseball cap with painted design of a nude woman. Series also includes a ripstop nylon banner designed by Robert Markle and sewn by Marlene Markle.

File consists of textual records and graphic material concerning Favro’s work and projects from predominantly the late 1960s to early 1970s. It includes correspondence from Carmen Lamanna, the Agnes Etherington Art Centre at Queen’s University concerning a possible exhibition, Laurent Lamy concerning the 1973 Paris Biennale, and Alvin Balkind at the AGO concerning a reference request for a Canada Council grant. Also included is a page discussing the increasing size of Favro’s art dealer’s signature, a fundraising poster for the Nihilist Spasm Band’s appearance at the Paris Biennale, and a 1971 description of the Nihilist Spasm Band’s influences, printed on Carmen Lamanna letterhead. It also includes a 1972 letter from Louise Tremblay to Carmen Lamanna, a 1968 cheque receipt from Standard Life Assurance Company, a letter from Cecile Valin at the National Gallery from 1969, a handwritten page listing expenses in London, England, a B&W photograph of a television, 2 copies of a 1980 advertisement for Favro’s “Seproject,” a list of classes at the Ontario College of Art, taught by Favro between 1973-74, as well as a letter and timetable. It also includes a number of pages of handwritten notes and sketches by Favro, including those for “Theoretical Machines,” and 2 sketches of a bicycle wheel component.