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File contains correspondence related to the installation of works in the exhibition "The Group of Seven and the Art Gallery of Ontario: past, present and future," reference materials, draft floorplans, correspondence with the National Gallery of Canada and Archives of Ontario regarding requests for reproduction, lists of works, and drafts of labels and panels.

File contains lists of works and photocopies of works for consideration for "The Group of Seven and the Art Gallery of Ontario: past, present and future," as well as a list of photo needs for the exhibition.

File contains correspondence related to the Inuit wall hangings to be installed in the Gilmour Gallery and a list of all Inuit wall hangings in the AGO's permanent collection.

File contains correspondence about the exhibition catalogue texts and drafts of artist biographies and work entries for the exhibition catalogue.

File contains lists of works, correspondence related to the conservation requirements of and installation of works and conservation reports for "Inventing Canada" (formerly titled as such before becoming the 2003 Tom Thomson exhibition).

File contains draft lists of works for "Inventing Canada" (formerly titled as such before becoming the 2003 Tom Thomson exhibition), correspondence related to the mailing of photographs of works for reference, correspondence with VTape regarding the AGO's rental of Zacharias Kunuk's video works, and photographs of the works for consideration.

File contains correspondence related to the AGO's funding application to the Museums Assistance Program and supporting materials for the application, including an exhibition proposal, for "Inventing Canada" (formerly titled as such before becoming the 2003 Tom Thomson exhibition).

File contains lists of works for installation, correspondence related to planning the exhibition, drafts of floorplans, draft budgets, a project schedule, and drafts of the exhibition proposal for "Inventing Canada" (formerly titled as such before becoming the 2003 Tom Thomson exhibition).

File contains essays on Canada's national and cultural identity, likely used as reference and research texts for the exhibition.

File contains correspondence with Alexander Babin from The Hermitage Museum to assist in planning "Land of Promise: The North in Canadian Art" (formerly titled as such, as well as "Inventing Canada," before becoming the 2003 Tom Thomson exhibition) and correspondence related to Babin's slide lecture "Recent Acquisitions of 19th Century French Paintings at the Hermitage Museum."