Showing 47 results

File contains compiled research material pertaining to early professional women artists and the arts and crafts movement. File includes a copy of an article by Florence Carlyle, a copy of Cast Shadows: Remarks on Landscape Painting Before the Group of Seven, a copy of Under the Spell of Morris: A Canadian Perspective, a list of quotes regarding various women artists, a list of quotes from an audio tape on the Arts and Crafts movement, a copy of Lady Art Students in Paris, notes on the arts and crafts movement, scanned artist bios, a copy of an article on The Slade School of Fine Art, and a copy of article Trained as Musician - Success at Art.

File contains black and white photocopies and photographic prints. Labeled images include a photograph of George Reid, images of and artworks by Elizabeth Knowles, and photographs of Sydney Tully.

File contains black and white photocopies and prints of artworks and artists (including Mary Hiester Reid, Sydney Tully, George Reid, Elizabeth Knowles, Marion Long, F.H. McGillivray, John Russell and Laura Muntz Lyall); a document of the Goals and Objectives for the Canadian Historical Gallery Enhancement Project, and the Inglenook Installation - Canadian Historical Galleries Statement of Goals and Objectives

File contains a page regarding the Inglenook Exhibition, an article of propositions from the aesthetic movement, a Hanging List for the Womens Wall, copies of articles discussing women artists in the 1970s, black and white photocopies of images, and one photographic print of Sydney Tully.

File contains document outlining content for a spoken audio component to the installation, and photocopied pages from "Introduction: Class Structure and the Arts & Crafts Elite." The pages are loose and many have sections cut out.

File contains black and white photocopied images of studios in 1895-1905, a document of objectives for the Inglenook installation, a document detailing the goals and objectives for the Canadian Historical Gallery Enhancement Project, a list of major questions pertaining to the Inglenook installation, notecards containing article cut-outs with information regarding women working in art; many cut-outs are excerpts from "Angel in the Studio: Women in the Arts and Crafts Movement 1870-1914" by Anthea Callen. The file also contains a pamphlet describing the proposed installation, and requesting monetary donations to fund the project.

File contains a pamphlet describing the installation and requesting monetary donations to fund the project, a copy of "Women of Canada: Their Life and Work," originally published 1900; a hanging list for the Womens Wall, a drawn installation map, a list of quotes commenting on historic Canada and women artists, a list of binder categories for the installation, the Interpretive Strategy, memos regarding the installation, a document with the installation objectives, a document with the content and format for the spoken audio component, a document with the 1991 goals and objectives for the installation, research notes, and copies of relevant articles, excerpts and cut-outs.

File contains an AGO News Release describing the exhibition, photocopies of Wyndham Lewis' newsletter 'Enemy News", copies of articles and newspapers discussing the artist and the exhibition, a Contents List from the exhibition catalogue, correspondence regarding the exhibition, Exhibition Design Group documents including notes and installation maps, installation instructions, copies of text for exhibition signage and labels, correspondence regarding the condition of works, the Travelling Exhibitions Itinerary, Production Meeting minutes, the Circulating Exhibition Agreement, the Exhibition Proposal, correspondence with the Art Gallery of Windsor during the planning stages, Traffic Receipts, and a Shipping Notice.

File contains a breakdown of expenses, and correspondence regarding the cost estimate.

File contains correspondence with Architectural Metal Industries regarding the requirements for the installation, installation maps, and correspondence within the gallery discussing the installation.