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File contains material such as correspondence with artists, CVs and artist statements, exhibition checklists, exhibition catalogues or pamphlets (published by Mercer Union), published material about the artist from other sources, press releases, contracts, reviews of the exhibit and documentation regarding shipping and installation instructions. Individual files contain some or all of these; the presence of photographs or other material not on the above list is noted. File includes 12 slides.

File contains copies of newspaper and magazine articles from 1971-1987, a Travelling Exhibition Itinerary, an AGO News Release, Wieland's exhibition C.V., curatorial exhibitions data, corporate sponsorship information, Catalogue of Extension Services article from 1986, and general correspondence

File contains cost estimates, Grant application and notification forms, general correspondence, budget information, a Crating Report, installation planning, purchase order receipts, Marie Fleming's writing contract, and meeting minutes

File contains correspondence with Myles Zarowny and Katherine Lipsett (Whyte Museum of the Canadian Rockies) and Catherine Crowston (Edmonton Art Gallery) and related documents regarding a solo exhibition at the Whyte Museum at the Canadian Rockies.

File contains letters and telegrams sent by Varley from Whycocomagh, N.B. where Varley stayed in 1955.

File contains correspondence with Kimberly Willard (R.R. Bowker) and related documents regarding Lexier's nomination for inclusion in Who's Who in American Art.

File contains correspondence, notes, Canadian Art essay "At the Silent Centre".

Correspondence, exhibition programs, and press releases regarding two exhibitions at the Whitney Museum of American Art, New York City, the second of which travelled to The Cleveland Museum of Art: Flashing into the Shadows (works shown are Slidelength and Standard Time) and Into the Light: The Projected Image in American Art 1964–1977 (Two Sides to Every Story).

File contains correspondence.

2 copies of two reviews, 1980.