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Series consists of material relating to various exhibitions and projects undertaken by John Boyle, including correspondence, press clippings, notes, draft writings, and images used as source material. Material is filed together by project or exhibition in approximate chronological order, but many files also contain miscellaneous material as filed by the artist. Researchers should also consult Series 5: Studio business files for related material.

Series consists of correspondence, press clippings, photographs and other material documenting concerts and tours by the Nihilist Spasm Band. Files are arranged in approximate chronological order.

Series consists of press clippings, exhibition invitations and other promotional material relating to Robert Markle’s career and collected by the artist. Series includes the contents of four scrapbook binders (1960-64, 1965-66, 1967-72, 1973-) assembled by Marlene Markle and containing press clippings, exhibition invitations, small catalogues, and some correspondence. Series also includes a bound volume entitled “Research Material on Robert Markle” compiled by Jim MacCammon & Associates and containing biographical information including a CV and press clippings.

Series comprises photos of Jack Pollock while he was director of the Pollock Gallery, miscellaneous personal and professional material, and correspondence.

Series comprises a complete run of Gallery Moos exhibition invitations. Series also contains similar items for some exhibitions on which Gallery Moos collaborated with other galleries, and some exhibition invitations for Gallery Moos New York.

Series consists of printed material and correspondence relating to the Zacks’ membership on various boards. Included are agendas, minutes of meetings, reports and other enclosures sent to members, documents received from architects, accountants and other professionals, newsletters and annual reports. The series has been grouped by institution and is arranged chronologically within each group.

Series consists of files relating to publications in which Greg Curnoe was involved, including Region Magazine, Provincial Essays, David McFadden’s Animal Spirits and Blue Book #8.

Series comprises correspondence regarding the business affairs of the Pollock Gallery and other art-related matters between 1962 and 1982, including business (and some personal) correspondence to Jack Pollock; a file of letters notifying clients, artists and others of the impending closure of the gallery in 1981; and other correspondence.

Series consists of bookworks by Greg Curnoe, most printed with the rubber stamping technique. Two (“The Coke Book” and “Walks”) are handwritten.

Series comprises photographs of Norval Morrisseau and others including Jack Pollock, from the 1960s and 1970s; photos of his prints and paintings; and other photos. Further photographs of the artist will be found in series 8.