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Series consists of work originating from and around the “Projects Class” at the Nova Scotia College of Art and Design, and similar activity at the California Institute of the Arts, during Tim Zuck’s association with these institutions. It includes the art films “Elevator”, “Halifax”, and “A Walk on a Frozen Lake”, audio tapes, photographs, and documentation for performance works by Tim Zuck. The series also contains conceptual artworks done by fellow student Richards Jarden, and descriptions of works done by others in the class. A sequence of files pertaining to group exhibitions in the early 1970’s are also included, in addition to art projects done by students at the California Institute of the Arts.

Series consists of material, including programmes, posters, flyers, correspondence, exhibition and artist statements, and press pertaining to the creation and promotion of exhibitions at Baldwin Street Gallery in addition to exhibitions by members of Baldwin Street Gallery held at other galleries.

Series consists of financial receipts, invoices, income tax returns, and related correspondence, including art sales records from Nancy Poole’s Studio. Records have been arranged chronologically by the creator.

Series consists of Greg Curnoe’s income tax records and various receipts, including 6 ledgers in which he recorded his accounts between 1969 and 1987.

Series consists of newspaper and magazine articles and reviews and exhibition notices of Tim Zuck’s work. The series also contains some of Zuck’s personal notes and two copies of a transcript of an interview with Joan Murray, dated March 8, 1979. The artist has filed these documents together chronologically.

Series comprises materials related to various projects of Michael Bidner, organized by particular art pieces, projects, exhibitions, events, or other artists or collaborators. These records were either organized by Bidner in labelled folders or mixed together as loose files. Subject matter pertains to Artario ’72, Video Water Works art piece, Say Cheese, Trajectory exhibition, Centre for Experimental Art and Communication exhibition, Ian Hutton manuscript materials, and miscellaneous records. Records of the Colour Xerox Papers, Artistamp, Rude, Rag, Adz magazines are also amongst these files. Materials include collage work, copy art, correspondence, sample prints, catalogs, posters, flyers, newspaper clippings, magazine articles, as well as photographs, slides, negatives, and contact prints.

Series consists of handmade dolls and box constructions that are pieces of Florence Vale’s artwork.

Series comprises Jean Blodgett’s research photographs of Inuit objects in museum collections in Canada, the USA, Great Britain and Europe. Photographs were originally contained in three-ring binders and have been rehoused in folders for reasons of preservation and compact storage.

Series consists of art ephemera collected by Tim Zuck and not directly connected to his work at art college.

Series comprises records related to the Arctic, including correspondence, writings, newspaper clippings, magazine articles, Inuit Art Conference notes, book proposal documentation, willow herb specimens, artwork documentation, landscape sketches, and drawings by Inuit and of Inuit at Toonik Time, Cape Dorset 1973.