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Series comprises analog and digital trial proofs of photographs by Suzy Lake, used by the artist to refine and correct aspects of hue, saturation and brightness.

Series consists of video cassettes and one video reel documenting Greg Curnoe at work and in conversation with colleagues.

Series comprises material related to running the gallery and includes legal documents, leases, ANNPAC information, corporate seal and address stamp, floor plans, promotional material, art rental information, gallery log books, gallery attendant’s manual, grants related to administration, and membership information. Arrangement is alphabetical by file title with the exception of the corporate seal and address stamp which are housed separately in the final box of the series.

Series contains files and publications relating to John Faichney’s involvement with CEAC and the KAA, including publicity material, stationery and periodicals. Also included is the original typed manuscript for the 1976 Symposium on Contextual Art held at CEAC. Material has been arranged chronologically by the archivist.

Series comprises curriculum vitae and other employment-related documentation, as well as photographic portraits of Jean Blodgett.

Series comprises teaching notes, photographic samples used in teaching, examples of student work, and a few selected course readings used in Suzy Lake’s teaching activity at the School of Fine Art and Music, University of Guelph. Series also includes Suzy Lake’s annual reports as a faculty member.

Series comprises of files pertaining to Michael Bidner’s xerography copy art and the Colour Xerography exhibitions. These materials have been organized by Bidner into 7 curated binders: a binder titled, “Colour Xerox Papers,” a group of five binders each labelled according to the letters X, E, R, O, and X, as well as a “Back-Up” binder of materials. These binders contain documentation of copy art production and exhibition, including original copy art by Bidner and other artists, the Xerox 6500 Colour Copier, artist resumes, press releases, exhibition catalogs and invitations, photocopied newspaper and magazine reviews, photographs, and a few sample prints on fabric. The binders also contain records showing relations between the Xerox Ltd. company and the artists promoting the machine such as project funding, operation costs, technical support and letters from the company to artists and gallery curators. Binders 1 to 6 are subdivided by page separators and have been titled by Bidner; the titles are represented in the content note below. Note that these binders were created by Bidner for personal or professional use and were not shown publically as part of exhibitions. In addition to the binders, this series also includes loose files of similar materials.

Series comprises an untitled experimental art work by Suzy Lake, consisting of an antique carte-de-visite album containing 34 hand-tinted black and white prints by the artist.