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Series comprises photographs of Florence Vale along with friends, family, and gallery visitors. Series also includes the negatives and slides of photographs that were kept with the photographs of Florence Vale.

Series comprises drawings and etchings by Florence Vale.

Series comprises sheets of paper with poems by Florence Vale, by Florence Vale and others, or by other people given to Florence Vale. Some of the poems have handwritten notations marking them.

Series comprises records related to published books of illustrated verse by Florence Vale

Series comprises six audio reels of Florence Vale singing and poetry readings with piano accompaniment from September and October of 1982.

Series comprises video tape from the TVOntario series “Education of Mike McManus” of program on Florence Vale Franck entitled “No Time for Aging”. Video is on ¾” cassette from 1977. Series also includes two documents that accompanied the cassette, including a video tape technical evaluation and letter of agreement to Mr. McLennan of the Albert Franck – Florence Vale Project from The Ontario Education Communications Authority providing permission for a copy of the cassette and conditions of use.

Series contains files and publications relating to John Faichney’s involvement with CEAC and the KAA, including publicity material, stationery and periodicals. Also included is the original typed manuscript for the 1976 Symposium on Contextual Art held at CEAC. Material has been arranged chronologically by the archivist.

Series contains monographs and periodicals from Canada, the US and Europe accumulated by John Faichney. The material has been arranged chronologically by the archivist.

Series consists of photographs of Iskowitz’s family; images of Kielce, Poland; portraits of the artist and images of his studio; photographs of exhibition openings; and images of art works. Series includes one album, largely empty, containing photographs of Iskowitz from the mid-late 1940s. Series also includes a hand-crafted book of matches, the cover of which is made from photographs of a group seated at a banquet table (perhaps at the 1972 Venice Biennale?).

Series consists of press clippings about Iskowitz’s career, and a portfolio of promotional material from Canada’s pavilion at the Venice Biennale, 1972, featuring images of Iskowitz and his work. Series also includes a laminated offprint from Art in America, 1983.