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Series comprises material recording details of exhibitions held by Gallery Moos. Files include lists of works, press releases, newspaper clippings, artist information and other material. Material was received by the AGO in 2012.

Series comprises 2 motion pictures on gallery artist Gershon Iskowitz: “Standing Apart,”produced by Peter and Frances Mellenco (concerning Iskowitz’s participation in the Venice Biennale, 1972); and “I Paint What I Know—Gershon Iskowitz,” produced by Peter Alford. Motion pictures will also be found in Series 9 (New York office records).

Series comprises records from the Gallery Moos New York office that document David Moos’ academic and professional careers in the late 1980s and 1990s. Records include curricula vitae; applications to universities, fellowships and positions; correspondence; academic essays as well as essays, reviews and proposals written in a professional capacity including his collaborations with Rainer Crone and sample of the work of other fiction writers. .

Series comprises records documenting Moos Publishing Limited. The company was incorporated April 5, 1984 with Irwin Schwartz as Director and Walter Moos as President and Secretary. Walter Moos is listed as the sole shareholder. Records include articles of incorporation, proofs, drafts and correspondence regarding the publishing of books and ISBN information. Moos Publishing Limited produced two major books on artists: Ken Danby : the new decade / Paul Duval (Toronto : Stoddart, 1984) and Gershon Iskowitz : painter of light / Adele Freedman (Toronto : Merritt, 1982.) .

Series comprises records of Gallery Moos director, Gerard Jennings, and includes correspondence with artists and clients, information from and about artists, valuations of works, price lists, photocopies of press clippings, invitations to exhibitions at other galleries, and images of works of art. Gallery Moos invitations were removed from these files and incorporated into Series 5 (Exhibition invitations). .