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Arthur Lismer and Marjorie Lismer Bridges fonds File
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Tom Thomson clippings

File contains a notice of the 1926 unveiling of Tom Thomson's painting The Drive at the Ontario Agricultural College (Guelph, Ont.), at which Arthur Lismer was principal speaker; an annotated picture postcard entitled "The Old School House Leith, Ontario," where Thomson went to school; clippings (1946-1956) from Canadian serials about Tom Thomson; a notice of an exhibition (1969) of Thomson paintings at the Tom Thomson Memorial Gallery (Owen Sound, Ont.). The file also includes a photocopy of a letter to Marjorie Lismer Bridges (1973) about a photo of her father with Tom Thomson; and a photocopy of an article in The Studio (1919) about Thomson, both probably made in the 1970s.

Art education booklets

File contains art education booklets from Arthur Lismer's collection entitled Drawing (Toronto : Ontario Dept. of Education, 1927) (Art bulletin ; no 2), and Art Education (London : His Majesty's Stationery Office, 1946) (Ministry of Education pamphlet ; no. 6).

"Canadian painting of today"

File contains galley sheets for an article by Lismer entitled “Canadian painting of today” dated 1929. The file also includes photocopies (probably made in the 1970s or ‘80s) of typed transcripts of Lismer’s lectures and articles chiefly from the 1920s and ‘30s.

Marius Barbeau offprints

File contains offprints of articles by Canadian ethnographer and folklorist Marius Barbeau (1883-1969) from The Scientific Monthly (1942), The Geographical Review (1945) and other periodicals, with autograph dedications to Arthur Lismer.

Gallery exhibitions lists

File contains lists of paintings in exhibitions of Arthur Lismer’s work at commercial galleries between 1935 and 1958 including J. Merritt Malloney (Toronto), W. Scott (Montreal), T. Eaton Co. Fine Arts (Toronto), Les Amis de l’Art (Montreal), and others. Some leaves have pen or pencil sketches on verso.

Charles S. Band correspondence

File contains correspondence to Lismer in South Africa, New York and Montreal from then-president of the Art Gallery of Toronto Charles Shaw Band in Toronto, between 1936 and 1949, commenting on events and committee affairs at the Gallery. The file also includes correspondence (1949–1950) from Harry Southam regarding Lismer’s canvas Sombre Isle.

Band, Charles Shaw

"Memorable meal" essay

File contains a manuscript essay (3 leaves) by Lismer entitled “A memorable meal,” with a small pen sketch. The file also includes photocopies (probably made in the 1970s or ‘80s) of typescripts of Lismer’s lectures and radio talks.

Children’s Art Centre correspondence

File contains manuscript correspondence from Lismer to the staff of the Children’s Art Centre at the Art Gallery of Toronto discussing his sentiments about art education; letters were written from Columbia University in New York (1938–1939), and afterwards from Ottawa. Includes typed transcripts.

T. Eaton Co. Fine Art Galleries correspondence

File contains correspondence to Lismer from R.S. van Valkenburg of the Fine Arts Galleries of the T. Eaton Company in Toronto regarding an exhibition of Lismer’s paintings on consignment to the gallery from January to July of 1946, along with borrowed works not for sale; with shipping documents and an exhibition list. Some leaves have pen sketches on verso.

Lismer retrospective (1950) exhibition records

File contains correspondence to Lismer in Montreal from Sydney Key, curator at the Art Gallery of Toronto regarding the exhibition Arthur Lismer: Paintings 1913-1949 at the gallery in January-February 1950, with a manuscript letter to Sydney Key in Lismer’s hand (not sent); lists of paintings and a diagram of an installation; with an annotated proof of the catalogue for the exhibition. Some leaves have pen or pencil sketches.

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