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Barbara Astman fonds

  • LA.SC123
  • Fonds
  • 1951–2021

Fonds consists of records of the artistic and academic career of Barbara Astman, chiefly in Toronto from the 1960s to the second decade of the 21st century, including photographs of her projects and exhibitions, correspondence and textual documentation of projects, personal and other photos and journals, and some audiovisual materials.

Contains series:

  1. Photographic documentation of art works
  2. Project records
  3. Portrait photographs
  4. Installation photographs of gallery exhibitions
  5. Teaching-related records
  6. Publicity material
  7. Audio and video recordings
  8. Journals
  9. Address books and notebooks
  10. Experimental work
  11. Process and preparatory material
  12. Art supplies, ephemera and found objects
  13. Personal correspondence
  14. Works by other artists
  15. Juvenilia
  16. Financial records

Astman, Barbara

Beth Southcott fonds

  • LA.SC172
  • Fonds
  • 1977-1989

Fonds consists of research materials generated in preparation for Southcott's book The Sound of the Drum: The Sacred Art of the Anishnabec (Erin, Ontario: Boston Mills Press, 1984). The following artists are documented in the fonds: Allen Angeconeb, Del Ashkewe, Carl Beam, Leland Bell, Benjamin Chee Chee, Shirley D. Cheechoo, Blake Debassige, Noel Ducharme , Don Ense, Rhonda Franks, Ril Gaiashk, Tom Hill, Robert Houle, Alex Janvier, Francis Kagige, Goyce Kakegamic, Morley Kakepetum, Eleanor Kanasawe, Josh Kakegamic, Norman Knott, John Laford, Mel Madahbee, Norval Morrisseau, Hugh Mckenzie, Johnson Meekis, Daphne Odjig, Martin Panamick, Carl Ray, Tim Restoule, Michael Robinson, Allen Sapp, James Simon, Arthur Shilling, Roy Thomas, Randy Trudeau, and Saul Williams.

Southcott, Beth

Betty Goodwin fonds

  • LA.SC124
  • Fonds
  • [19--]-2005

Fonds consists of the archival contents of Betty Goodwin’s studio, including sketchbooks and notebooks in which she drew and recorded inspiration and ideas; loose sketches and notes; found and manufactured objects retained for their aesthetic or inspirational qualities; printing plates; folders containing inspirational found images and the artist’s re-workings of same; photographs of the artist and her work spaces; folders and a maquette relating to proposals for public commissions; a small amount of personal correspondence and publicity material; photographic documentation of her artwork; her numerous awards and honourary degrees; and video documentation of Goodwin’s dance collaborations.

Goodwin, Betty

C. S. Band fonds

  • LA.SC017
  • Fonds
  • 1931-1972

Fonds consists of correspondence with art galleries, artists and others regarding the acquisition and lending of artworks, as well as general correspondence with members of the Canadian arts community. Correspondents include André Bieler, B.C. Binning, E.J. Hughes, Jean-Paul Lemieux, Arthur Lismer, J.W.G. MacDonald and Frederick Varley (including a 1951 filmscript on Varley by Allan Wargon). The fonds also comprises two pen or pencil sketches by Arthur Lismer of C.S. Band, photographs of him and his friends, photographs of his collection, and installation shots of his artworks in exhibitions along with several exhibition catalogues. Fonds is comprised of the following series: Photographs Correspondence, galleries Correspondence, artists Correspondence, F.H. Varley Correspondence, general Miscellaneous

Band, Charles Shaw

Canadian Art Club fonds

  • LA.SC009
  • Fonds
  • 1885-1949, predominant 1907-1915

Fonds consists of the records of the Canadian Art Club, including minutes of the organization’s meetings, constitution and by-laws, membership lists, photographs of artworks, documents of incorporation (1909) and ultimate dissolution (1930s) and club financial records in the form of ledgers and a collection of bills and receipts. Materials related to club exhibitions and dinners are supplemented by an extensive collection of clippings from reviews in newspapers of the day. Correspondence forms a significant portion of the papers, especially that to and from Edmund Morris, secretary of the club for several years. Papers related to the founding of the Art Museum of Toronto and the Central School of Industrial Art and Design are also included. Fonds is comprised of the following series: 1. Minutebook 2. Transcribed minutes and other documents 3. Records of annual banquets and exhibitions 4. Club lists 5. Photographs 6. Replies to dinner invitations 7. Scrapbooks/press clippings 8. Bills and receipts 9. Cash book 10. Records of club dissolution 11. Notes on a Toronto art school 12. Miscellaneous papers 13. Correspondence (Edgar J. Stone collection)

Canadian Art Club (Toronto, Ont.)

Christiane and Michael Pflug fonds

  • LA.SC060
  • Fonds
  • 1930-2006

Fonds consists of records relating to the life and work of Christiane Pflug. Textual materials include the artist’s correspondence (including translations from German to English provided by Michael Pflug), records of exhibitions, and a manuscript relating to her childhood. Visual materials include extensive photographic documentation of the artist and her family and a postcard collection used for inspirational purposes. Also included are items depicted in her paintings. The fonds also contains records documenting Michael Pflug’s activities and his life and relationship with Christiane Pflug. It includes his correspondence, manuscripts of an unpublished autobiography, and records related to the management of Christiane Pflug’s art.

Pflug, Christiane

ChromaZone/Chromatique fonds

  • LA.SC149
  • Fonds
  • [195-] - 2004

Fonds consists of documentation of the work and activities of members of the ChromaZone Collective; records of the group’s exhibition activity, including posters; and photographs of group members. Fonds also includes records related to the establishment and administration of the Tim Jocelyn Art Foundation, and records of Sibyl Goldstein’s art-related activity following the disbandment of ChromaZone.

Chromazone (Group of artists)

Colette Whiten fonds

  • LA.SC120
  • Fonds
  • 1970-2009

Fonds consists of documentation of Colette Whiten’s artistic career, including records of exhibitions, commissions, grants, awards, and experiments with materials. Documentation of Whiten’s public art collaborations with Paul Kipps is included. Fonds also includes records of Whiten’s teaching activity at several different institutions, including the Ontario College of Art.
Contains series:

  1. Colette Whiten’s files
  2. Teaching files
  3. Documentation of art works
  4. Project boxes
  5. Experimental work and material samples
  6. Publicity material
  7. Personal / other photo documentation

Whiten, Colette

C.W. Jefferys and Robert Stacey fonds

  • LA.SC038
  • Fonds
  • 1839-1987

Fonds consists of records relating to the life and work of the artist and author Charles William Jefferys. It includes the artist’s correspondence, notebooks, research materials and manuscripts of his written work. Also included in this fonds are the research materials compiled by Robert Stacey, the artist’s grandson, about all aspects of the life and work of Jefferys, including information on all Jefferys’ writings and art, articles and reviews published by and about Jefferys, as well as information about the artist’s personal life, professional activities and travels. Stacey also conducted research on the Jefferys family history. Fonds is comprised of the following series: Jefferys family genealogy compiled by Stacey Jefferys’ accounts and business records Jefferys’ associations and clubs records Jefferys’ personal records Jefferys’ correspondence Stacey’s research files on places and people associated with Jefferys Writings by Jefferys Writings on Jefferys Stacey’s research files on Jefferys’ illustrations “The Moon” files Stacey’s research files on Jefferys’ art Stacey’s notes on locations associated with Jefferys Stacey’s research files on owners of Jefferys’ art C.W. Jefferys Estate Archives contents Stacey’s research files on Jefferys’ exhibitions Jefferys’ notebooks Portraits of Jefferys and family Newspaper clippings collected by Jefferys and Stacey Jefferys’ photographs and clippings from Western Canada

Jefferys, C.W. (Charles William)

David Blackwood fonds

  • LA.SC152
  • Fonds
  • 1900-2017

Fonds consists of documentation of David Blackwood’s career as a visual artist in Canada. Accumulated content includes exhibition catalogues and related documents, biographical information on David Blackwood, publicity materials, photographs and slides, preparatory drawings and sketchbooks, certificates and other awards on paper, video recordings of special events, ephemera, written correspondence with artists and art galleries, and Blackwood’s research materials from various projects.

Blackwood, David

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